8.0/10
38,046
181 user 111 critic

Days of Heaven (1978)

PG | | Drama, Romance | 6 October 1978 (USA)
A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

Director:

Writer:

Reviews
Popularity
3,944 ( 169)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Won 1 Oscar. Another 12 wins & 12 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Badlands (1973)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.

Director: Terrence Malick
Stars: Martin Sheen, Sissy Spacek, Warren Oates
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Terrence Malick's adaptation of James Jones' autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.

Director: Terrence Malick
Stars: Jim Caviezel, Sean Penn, Nick Nolte
The New World (2005)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The story of the English exploration of Virginia, and of the changing world and loves of Pocahontas.

Director: Terrence Malick
Stars: Colin Farrell, Q'orianka Kilcher, Christopher Plummer
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The story of a family in Waco, Texas in 1956. The eldest son witnesses the loss of innocence and struggles with his parents' conflicting teachings.

Director: Terrence Malick
Stars: Brad Pitt, Sean Penn, Jessica Chastain
To the Wonder (2012)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

After falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church's Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.

Director: Terrence Malick
Stars: Ben Affleck, Olga Kurylenko, Javier Bardem
Breathless (1960)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.

Director: Jean-Luc Godard
Stars: Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.7/10 X  

A writer indulging in all that Los Angeles and Las Vegas has to offer undertakes a search for love and self via a series of adventures with six different women.

Director: Terrence Malick
Stars: Christian Bale, Cate Blanchett, Natalie Portman
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that a couple he is spying on will be murdered.

Director: Francis Ford Coppola
Stars: Gene Hackman, John Cazale, Allen Garfield
The Mirror (1975)
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.

Director: Andrei Tarkovsky
Stars: Margarita Terekhova, Filipp Yankovskiy, Ignat Daniltsev
Paris, Texas (1984)
Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Travis Henderson, an aimless drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life, and his family.

Director: Wim Wenders
Stars: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery.

Directors: Charles Laughton, Robert Mitchum, and 1 more credit »
Stars: Robert Mitchum, Shelley Winters, Lillian Gish
Comedy
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together.

Director: Luis Buñuel
Stars: Fernando Rey, Delphine Seyrig, Paul Frankeur
Edit

Cast

Cast overview, first billed only:
...
...
...
Linda Manz ...
...
The Farm Foreman (as Robert Wilke)
Jackie Shultis ...
Linda's Friend
...
Mill Foreman
Timothy Scott ...
Harvest Hand (as Tim Scott)
Gene Bell ...
Dancer
Doug Kershaw ...
Fiddler
...
Vaudeville Leader
Frenchie Lemond ...
Vaudeville Wrestler
Sahbra Markus ...
Vaudeville Dancer
Bob Wilson ...
Accountant
Muriel Jolliffe ...
Headmistress
Edit

Storyline

Bill and Abby, a young couple who to the outside world pretend to be brother and sister are living and working in Chicago at the beginning of the century. They want to escape the poverty and hard labor of the city and travel south. Together with the girl Linda (who acts as the narrator in the movie) they find employment on a farm in the Texas panhandle. When the harvest is over the young, rich and handsome farmer invites them to stay because he has fallen in love with Abby. When Bill and Abby discover that the farmer is seriously ill and has only got a year left to live they decide that Abby will accept his wedding proposal in order to make some benefit out of the situation. When the expected death fails to come, jealousy and impatience are slowly setting in and accidents become eventually inevitable. Written by Theo de Grood <tdg@xs4all.nl>

Plot Summary | Plot Synopsis

Taglines:

Your eyes... Your ears... Your senses... will be overwhelmed. See more »

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

|

Release Date:

6 October 1978 (USA)  »

Also Known As:

Días de gloria  »

Filming Locations:

 »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm prints)| (70 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

The music behind the titles is "Aquarium," from Camille Saint-Saëns' "Carnival of the Animals." See more »

Goofs

In the hunting scene, ring-necked pheasants are clearly seen. Ring-necked pheasants, a non-native game bird, would not be introduced to Texas until 1933 or 1934. See more »

Quotes

Bill: The man's got one foot on a banana, and the other foot on a roller skate. It'll all be gone in a couple of years. Who's gonna care if we acted perfectly?
See more »

Connections

Featured in The 79th Annual Academy Awards (2007) See more »

Soundtracks

Swamp Dance
Words and Music by Doug Kershaw
Performed by Doug Kershaw
Used by permission of Tree Publishing Co., Inc. B.M.I. Copyright 1974
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Healing and Cathartic
10 February 2003 | by See all my reviews

Oh, I better come out and say it: I love Terrence Malick. I think he's one of the few filmmakers who has completely and utterly captured filmic form. "The Thin Red Line" was, to me, an astonishing experience; beautiful, horrific and the best movie of the 90s. "Badlands" is the best lovers-on-the-lam movie I've ever seen (it certainly makes "True Romance" look like a gimmicky fraud of a movie). Malick somehow manages to make everything seem painfully beautiful: his landscape, his actors, his dialogue. There's something always elegiac about his movies.

There's a picture of James Dean I saw from his youth -- a baseball team photo -- and the caption said something about how it captured his face, and in it, wisdom and sadness far beyond his years. That's what Malick does in his films and particularly in this film.

He must have been a fan of James Dean (probably one of the reasons he chose to make "Badlands," as a sort of homage), but not in the sense that coolness comes from a perfectly combed coiffure, a red leather jacket (which it wasn't -- it was a windbreaker) and a dark brood. There's a similar story here to that of "Giant," set on a farm with that remarkable house, two men and one girl. Only "Giant" didn't have a philosophizing and very strange little girl. It was also an overblown soap opera and while this film is, I guess, a melodrama, it certainly isn't melodramatic.

If Malick is anyone in the film, he's Sam Shapard; watching his love through a lens. Malick uses Manz as a sort of channel. If this is indeed some fashion of his own story, Malick tells us through her, with he visualized by Shepard, which is a somewhat brilliant approach. Manz is strangely philosophical; at once blunt and abstract. The story is obviously centered around her -- I don't see why this wouldn't be obvious -- but she's pushed into the background, commenting on the characters and informing us like God from above.

As always with Malick, his film is mesmerizing and hypnotic. I was surprised that the film was only a little over an hour-and-a-half. The great Ennio Morricone created a wonderful score for this film that seems to forebode impending doom. Unlike his more famous spaghetti western scores, it's never overly-flamboyant. And the cinematography, listed as belonging to Nestor Almendros, but well-known to be at least substantially contributed to by Haskell Wexler, is so much like an oil painting that it's just about liquid film. I'd be willing to pay a lot of money to see this one on the big screen.

It might seem obvious to state that this film is a transition between "Badlands" and "The Thin Red Line," after all it was the middle film. But this film has moments, especially in the finale, that are surprisingly close to that of "Badlands" and this is the film where Malick fully mastered his approach of lush, visual poetry told at a languid pace that never seems boring, since you're fully within the film;s grasp.

Pauline Kael said in her review that "the film is an empty Christmas tree: you can hang all your dumb metaphors on it." And Charles Taylor, always following Kael's lead (even from beyond the grave), said of Malick's two 1970s films, "Next to the work of Altman, Scorsese, Coppola, De Palma and Mazursky from that period, they're pallid jokes."

What never fails to get me furious is when someone viciously attacks a director, like Malick, for being self-indulgent. Of course it's self-indulgent, he's telling a story that means something to him and trying to share what he feels with us. Malick certainly isn't trying to alienate people, and if you are alienated by his films, well, don't watch them. Malick is a filmmaker like Kubrick, but more fluid and much less abrasive. I mean, if you're going to aggressively attack a filmmaker, aggressively attack someone who is aggressive on his side. Directors like Malick use abstractions to engage their audiences more fully than most. By leaving things -- often feelings -- open to interpretation, the film becomes more intimate.

Certainly one of the most enduring films from the 70s, this is a masterwork.

****


105 of 143 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
I can't believe this film is from the 70s. ngrome
More films like this? BERSERKERpoetry
A question about the film... help me out here. xgorexpolicex
voiceovers ... good or bad? SnoopyStyle
Wine Glass in the water jameschurchill33
What became of Linda Manz? virgin-suicides
Discuss Days of Heaven (1978) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?