A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Tilman and Lanton Mills, two cowboys who set off on horseback to rob a bank. On the way, they stop to see their boss, the "Old Man", only to discover he has been murdered by another cowboy,... See full summary »
Harry Dean Stanton,
Bill and Abby, a young couple who to the outside world pretend to be brother and sister are living and working in Chicago at the beginning of the century. They want to escape the poverty and hard labour of the city and travel south. Together with the girl Linda (who acts as the narrator in the movie) they find employment on a farm in the Panhandle, Texas. When the harvest is over the young, rich and handsome farmer invites them to stay because he has fallen in love with Abby. When Bill and Abby discover that the farmer is seriously ill and has only got a year left to live they decide that Abby will accept his wedding proposal in order to make some benefit out of the situation. When the expected death fails to come, jealousy and impatience are slowly setting in and accidents become eventually inevitable. Written by
Theo de Grood <email@example.com>
The film's title is a reference to Deuteronomy 11:21 - "That your days may be multiplied, and the days of your children, in which the LORD swore to your fathers to give them as the days of heaven upon the earth." See more »
At about 7:25 into the movie, we see a bucolic farmyard scene, with a group of white ducks waddling by...yet we hear sound effects of Canada Geese. See more »
"Days of Heaven" is a beautiful film with fantastic panoramic cinematography. It's hard to say what it is about this film that captivated me from the start. I didn't expect to enjoy it when I read about the plot. Farm workers? How could that be interesting... But oh, the haunting, heavenly silence of the fields undulating in the wind, a silence not sundered by any garish music. Everything about this film is tangible, real, alive. The dialogue is sparse, believable, the bond between Bill and Abby is one of quiet passion that needs no dramatic proclamations to fuel it. And Sam Shepard's farmer is touching. I don't use that word very often, but I'll venture it here. I have watched this film now several times, and it is a delight each time when the farmer first sees Abby. This perhaps the strongest and most believable love triangle ever put to film, and in my opinion, the most compelling.
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