A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Bill and Abby, a young couple who to the outside world pretend to be brother and sister are living and working in Chicago at the beginning of the century. They want to escape the poverty and hard labor of the city and travel south. Together with the girl Linda (who acts as the narrator in the movie) they find employment on a farm in the Texas panhandle. When the harvest is over the young, rich and handsome farmer invites them to stay because he has fallen in love with Abby. When Bill and Abby discover that the farmer is seriously ill and has only got a year left to live they decide that Abby will accept his wedding proposal in order to make some benefit out of the situation. When the expected death fails to come, jealousy and impatience are slowly setting in and accidents become eventually inevitable. Written by
Theo de Grood <firstname.lastname@example.org>
After filming for a short time, Terrence Malick threw out the script altogether and filmed for a close to a year allowing the actors to "find the story" for the film as they went along. See more »
Just after the opening of the film at the steel mill, we see a freight train going across a high trestle in silhouette, with the roofs of the cars perfectly empty, but immediately we get a closeup of the train's roofs, looking forward, and it has scores of migrant workers sitting and sprawled on the roofs of the cars. See more »
Nobody's perfect. There was never a perfect person around. You just have half-angel and half-devil in you.
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One of the most haunting and beautiful films ever made
If any movie could be called filmed poetry, this would be it. From its first opening shot to its last frame, there is such lyricism and emotion and beauty that it almost leaves you speechless. I have not seen this movie in years, but it still affects me and I want to write about it. There is a pervading sadness to the movie, like a memory of something wonderful that could have been, that should have been, that almost was, and is all the more tragic because it was in your hands but slipped through your fingers. This is not a movie for everyone, but if you believe that film can be one of the highest forms of art, this is the film to see.
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