Tilman and Lanton Mills, two cowboys who set off on horseback to rob a bank. On the way, they stop to see their boss, the "Old Man", only to discover he has been murdered by another cowboy,... See full summary »
Harry Dean Stanton,
Bill and Abby, a young couple who to the outside world pretend to be brother and sister are living and working in Chicago at the beginning of the century. They want to escape the poverty and hard labour of the city and travel south. Together with the girl Linda (who acts as the narrator in the movie) they find employment on a farm in the Panhandle, Texas. When the harvest is over the young, rich and handsome farmer invites them to stay because he has fallen in love with Abby. When Bill and Abby discover that the farmer is seriously ill and has only got a year left to live they decide that Abby will accept his wedding proposal in order to make some benefit out of the situation. When the expected death fails to come, jealousy and impatience are slowly setting in and accidents become eventually inevitable. Written by
Theo de Grood <email@example.com>
Even though Richard Gere's first notable role was in Looking for Mr. Goodbar in 1977, he actually made Days of Heaven first, but the film took two years to edit and wasn't released until 1978. See more »
Any Fokker Dr.1 triplanes available just after WWI would have the original rotary engine, rather than a radial engine. The difference is that the rotary engine spins along with the propeller, and a radial engine doesn't. The Fokker in the 59th minute clearly has a radial engine. See more »
"Days of Heaven" is a beautiful film with fantastic panoramic cinematography. It's hard to say what it is about this film that captivated me from the start. I didn't expect to enjoy it when I read about the plot. Farm workers? How could that be interesting... But oh, the haunting, heavenly silence of the fields undulating in the wind, a silence not sundered by any garish music. Everything about this film is tangible, real, alive. The dialogue is sparse, believable, the bond between Bill and Abby is one of quiet passion that needs no dramatic proclamations to fuel it. And Sam Shepard's farmer is touching. I don't use that word very often, but I'll venture it here. I have watched this film now several times, and it is a delight each time when the farmer first sees Abby. This perhaps the strongest and most believable love triangle ever put to film, and in my opinion, the most compelling.
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