Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Following the events of Night of the Living Dead (1968), we follow the exploits of four survivors of the expanding zombie apocalypse as they take refuge in an abandoned shopping mall following a horrific SWAT evacuation of an apartment complex. Taking stock of their surroundings, they arm themselves, lock down the mall, and destroy the zombies inside so they can eke out a living--at least for a while. Tensions begin to build as months go on, and they come to realize that they've fallen prey to consumerism. Soon afterward, they have even heavier problems to worry about, as a large gang of bikers discovers the mall and invades it, ruining the survivors' best-laid plans and forcing them to fight off both lethal bandits and flesh-eating zombies. Written by
Curly Q. Link
In 1968, George Romero brought us "Night of the Living Dead." It became the classic horror film of its time. Now, George Romero brings us the most intensely shocking motion picture experience for all time. See more »
In the original draft of the script, the TV station's call sign was WJAS, the call sign of an actual radio station in Pittsburgh, Pennsylvania, where the film was shot. The call sign was replaced with WGON, which was not issued to any station at that time (it had been issued to an AM radio station in Munsing, Michigan, but the station had gone dark some time before). WGON has now been issued to a licensed low power FM radio station (WGON-LP, 103.7) in Slidell, Louisiana. See more »
As the Trivia Section notes, shooting of the movie was done during the Christmas Season and was suspended during the holidays to avoid the cost of re-hanging decorations. As a result, JC Penney (the store of which they keep going in and out), has a sign in the window saying "After-Christmas Sale" later in the movie. See more »
Hey, man, we can't carry all this shit.
[Peter wheels a gardening cart up with all of their supplies]
Oh, I see, we're just gonna wheel right by 'em, right?
We're gonna try, brother. We ain't doin' this for the exercise, so we might as well try to get what we can.
No way this is gonna happen.
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George A. Romero appears on screen as a TV Station Director (the bearded man wearing a scarf and a blue shirt) as his name appears, listing him as "Editor", in the on-screen credits beneath him. See more »
Here's ONE zombie movie that buries all the others!
There's not much use denying it George A. Romero's "Dawn of the Dead" is one of the chosen few, absolute greatest horror films ever made and it's fairly unimaginable that a powerful movie like this will ever come out again. Even more than its 1968 predecessor, the landmark known as "Night of the Living Dead", this film contains literally everything to satisfy even the most demanding fan of horror cinema. Some films attempt to reach a maximum level of high tension throughout; some have eminent directors and/or a professional cast; some horrors will distinguish themselves from the rest by providing a lot of gore & gruesome make-up effects and others completely rely on uniquely atmospheric set pieces and filming locations. "Dawn of the Dead" consists of ALL these trademarks and yet a whole lot more! This film more or less begins where "Night" ended, with an alarming increase of zombies that feast their way through America. The opening sequences masterfully capture the growing sense of mass hysteria and disbelief in a TV-studio, where a 'scientist' warns the population not to regard these walking corpses as former family members or friends, but as mere monsters on the constant lookout for human flesh to feed on. These scenes introduce Peter and Francine, who plan to escape the big city in a helicopter. Cut to another very perplexing series of action sequences in which fellow policemen Stephen & Peter battle their way through a zombie-infested apartment building. Eventually these four characters flee together and entrench themselves in a large shopping mall complex. They can fairly easily handle the menace of the zombies here, but the biggest danger comes from typical human greed and selfishness. It's downright amazing how Romero manages to present such an implausible topic like zombie mayhem in such a realistic and incredibly disturbing way. He already did that in "Night of the Living Dead" but "Dawn" is entirely different film all together, since it contains a lot more humor and intelligently subtle society-mockery. The gore is sensational and plentiful (thank you, Tom Savini!) but the film never at one point drags in the tension or bad editing department. It's just, in one word, the perfect horror movie. There exist more than a dozen different versions of this film, which are all worth seeing at least once if only to spot the differences. Particularly recommended are Romero's original director's cut (duh!!) and Argento's European cut. This latter cuts a little on the dialogues and humor, but it features another brilliant soundtrack by Goblin! I could easily write another five page-essay about the genius of this movie, but it would just constantly re-confirm that it's absolute must-see! In case you haven't yet, make "Dawn of the Dead" a priority and also make sure you've got the horror-munchies!
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