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Dawn of the Dead (1978)

 -  Action | Horror  -  24 May 1979 (USA)
8.0
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Ratings: 8.0/10 from 75,578 users  
Reviews: 653 user | 195 critic

Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.

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Cast

Cast overview, first billed only:
David Emge ...
...
...
Gaylen Ross ...
David Crawford ...
Dr. Foster
David Early ...
Mr. Berman
Richard France ...
Scientist
Howard Smith ...
TV Commentator
Daniel Dietrich ...
Fred Baker ...
Commander
James A. Baffico ...
Wooley (as Jim Baffico)
Rod Stouffer ...
Young Officer on Roof
Jese Del Gre ...
Old Priest
Clayton McKinnon ...
Officer in Project Apt.
John Rice ...
Officer in Project Apt.
Edit

Storyline

Following the events of Night of the Living Dead (1968), we follow the exploits of four survivors of the expanding zombie apocalypse as they take refuge in an abandoned shopping mall following a horrific SWAT evacuation of an apartment complex. Taking stock of their surroundings, they arm themselves, lock down the mall, and destroy the zombies inside so they can eke out a living--at least for a while. Tensions begin to build as months go on, and they come to realize that they've fallen prey to consumerism. Soon afterward, they have even heavier problems to worry about, as a large gang of bikers discovers the mall and invades it, ruining the survivors' best-laid plans and forcing them to fight off both lethal bandits and flesh-eating zombies. Written by Curly Q. Link

Plot Summary | Plot Synopsis

Taglines:

When there's no more room in hell, the dead will walk the earth. See more »

Genres:

Action | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

24 May 1979 (USA)  »

Also Known As:

George A. Romero's Dawn of the Dead  »

Box Office

Budget:

$650,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ultimate Final Cut) | (Dario Argento's European Version) | (DVD) | (Extended Version)

Sound Mix:

(German prints)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In order to save on production costs, director/editor George A. Romero had all the 35mm film stock developed into 16mm, and used that as his work reel. After choosing the scenes and takes he wanted, he had those alone developed into 35mm prints for the master reels. See more »

Goofs

Peter and Roger are cops in Philadelphia, but when they drive to the docks, their police car is that of the Pittsburgh Police Department. See more »

Quotes

Francine Parker: Rescue stations.
Charlie Parker - WGON-TV Typist who hands out notes to Francine: Half of those are inoperative as of now.
Francine Parker: Charlie, these are rescue stations. We can't send people to inoperative rescue stations.
Charlie Parker - WGON-TV Typist who hands out notes to Francine: We've had old information on the air for the last twelve hours.
See more »

Crazy Credits

George A. Romero appears on screen as a TV Station Director (the bearded man wearing a scarf and a blue shirt) as his name appears, listing him as "Editor", in the on-screen credits beneath him. See more »

Connections

Referenced in The Angry Video Game Nerd: Ghosts N' Goblins (2012) See more »

Soundtracks

Ai Margini Della Follia (Alternate Take)
(uncredited)
Composed by Dario Argento, Claudio Simonetti, Massimo Morante, Fabio Pignatelli,
Antonio Marangolo, and Agostino Marangolo
Performed by Goblin
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Still my favorite horror film...
10 February 2000 | by (United States) – See all my reviews

George A. Romero's Dawn of the Dead was groundbreaking, satirical, but it was above all else just a fun kind of movie to watch when I was younger. It's also on the films that I count as having re-watchability, even with all of the gore and violence and chilling factors in the film. It combines a kind of documentary feel sometimes (newsreels come to mind when the zombie montages in the mall go on), but is also very un-real at the same time. The gore, courtesy of make-up impresario Tom Savini, is of the comic-book kind, where it's all very real and horrifying until you realize the color is off on the blood and the color on the faces of the un-dead is off.

I could go on and on about this film, but the key thing is to see it, even just once. You may find it out-dated trash, or time-less beauty. Either way, it's likely Romero's best film, or at least his most ambitious (though I've yet to see Knightriders to comment fully). Energy, humor, sadness, excitement, love, loss, it's everything a movie should be (plus the origin of Sex Machine)!


67 of 77 people found this review helpful.  Was this review helpful to you?

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