Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling ... See full summary »
A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.
Seven years later, 13-year-old Damien is just discovering who he really is, and what he is destined to do. Now living with his Aunt, Uncle, and cousin in a wealthy suburb of Chicago, Damien is anxious to inherit everything. Can Richard Thorn finish the job that Damien's father (Ambassador Thorn) started? Written by
Mark J. Popp <email@example.com>
This movie did respectably at the box office and got mediocre reviews; it was a bit of a letdown for 20th Century Fox that was trying to build a franchise on the shoulders of The Omen (1976), which was a huge critical and box office success. But the disappointment suffered by the studio here was not as intense as what Warner Brothers felt when it released Exorcist II: The Heretic (1977), one of the biggest bombs of all time. Omen 2 was a hit by comparison. It's no wonder that 20th Century Fox would release its next Omen movie, The Final Conflict (1981), just 3 years later in 1981, while Warner Brothers would not release another Exorcist movie for 13 years till 1990, still smarting from the failure of Exorcist 2. See more »
When Thorn and his curator are checking the container that holds the wall, they are supposed to be in New York, but the skyline shot and the railroad (Rock Island) reveal their Chicago location. See more »
[last title card]
For such are false apostles. Deceitful workers whom lie and transform themselves to look like real apostles of Christ. II Corinthians, Chapter 11, Verse 13.
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An abridged 6 second version of the Alfred Newman Fox fanfare is heard See more »
If only most sequels were this good. There's not a minute of the film that isn't watchable.The end result is an effort that'll satisfy fans of Richard Donner's original
David Seltzer, who wrote the first film's screenplay, was asked by the producers to write the second. Seltzer refused as he had no interest in writing sequels. Years later, Seltzer commented that had he written the story for the second Omen, he would have set it the day after the first movie, with Damien a child living in The White House. With Seltzer turning down Omen II, producer Harvey Bernhard duly outlined the story himself, and Stanley Mann was hired to write the screenplay.
After Bernhard had finished writing the story outline and was given the green light to start the production, the first person he contacted was Jerry Goldsmith because of the composer's busy schedule. Bernhard also felt that Goldsmith's music for The Omen was the highest point of that movie, and that without Goldsmith's music, the sequel would not be successful. Goldsmith's Omen II score uses similar motifs to his original Omen score, but for the most part, Goldsmith avoided re-using the same musical cues. In fact, the first movie's famous "Ave Satani" theme is used only partially, just before the closing credits begin. Goldsmith composed a largely different main title theme for Omen II, albeit one that utilises Latin phrases as "Ave Satani" had done. Goldsmith's Omen II score allows eerie choral effects and unusual electronic sound designs to take precedence over the piano and Gothic chanting.
Richard Donner, director of the first Omen movie, was not available to direct the second, as he was busy working on Superman. British film director Mike Hodges was hired to helm the movie. During production, the producers believed that Hodges' methods were too slow, and so they fired him and replaced him with Don Taylor, who had a reputation for finishing films on time and under budget. However, the few scenes Hodges directed (some of the footage at the factory and at the military academy, all of the early archaeology scenes, and the dinner where Aunt Marion shows her concern about Damien) remained in the completed film, for which Hodges retains a story credit. In recent interviews, Hodges has commented sanguinely on his experiences working on Omen II.
Academy Award-winning veteran actor William Holden was the original choice to star as Robert Thorn in the first Omen, but turned it down as he did not want to star in a picture about the devil. Gregory Peck was selected as his replacement. The Omen went on to become a huge hit and Holden made sure he did not turn down the part of protagonist Richard Thorn in the sequel. Lee Grant, another Oscar-winner, was a fan of the first Omen and accepted enthusiastically the role of female protagonist-later-turncoat Ann Thorn.
Ray Berwick (19141990) trained and handled the crows used for several scenes in the film. Live birds and a crow-puppet were used for the attack on photojournalist Joan Hart. Berwick also trained the avian actors in Alfred Hitchcock's The Birds (1963).
This more-than-competent sequel to The Omen raises some interesting questions about the nature of free will can the Antichrist deny his birthright? Jerry Goldsmith who won an Oscar for his work on the first film in the series contributes another marvellously foreboding score. As the teenage Damien, Jonathan Scott-Taylor works wonders with the role
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