Damien the Antichrist, now age 13, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark mystical forces begin to eliminate all those who suspect the child's true identity.
Seven years later, 13-year-old Damien is just discovering who he really is, and what he is destined to do. Now living with his Aunt, Uncle, and cousin in a wealthy suburb of Chicago, Damien is anxious to inherit everything. Can Richard Thorn finish the job that Damien's father (Ambassador Thorn) started? Written by
Mark J. Popp <firstname.lastname@example.org>
When Harvey Bernhard had finished writing the script and was given the green light to start the production, the first person he contacted was Jerry Goldsmith because of the composer's busy schedule. Bernhard also felt that Goldsmith's music for The Omen (1976) was the highest point of that movie, and that without Goldsmith's music this sequel would never be successful. See more »
When Thorn and his curator are checking the container that holds the wall, they are supposed to be in New York, but the skyline shot and the railroad (Rock Island) reveal their Chicago location. See more »
[Damien has just seen the Mark of the Beast on his scalp, indicating he is the Antichrist. He runs out of the Academy building]
Why? Why me?
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An abridged 6 second version of the Alfred Newman Fox fanfare is heard See more »
Beginning again with the mad dash of Bugenhagen(Leo McKern) through the Haifa port under the very fitting theme of Jerry Goldsmith, this film contains all of the chills of the original as Damien learns about who he really is. It has one thing that I particularly liked that moment of indecision,when Damien, in a mirror of Jesus asks himself, why is it me. The moment when whatever innocence is in him is finally lost. William Holden and Lee Grant are excellent as his aunt and uncle, and there are several actors who cement their acting careers in the parts they play in this film. I am referring to Robert Foxworth for one, and Lance Henrickson for another. Silvia Sydney is one of of her last roles as Aunt Marion (smelling of Lilac or lavender) and the one really weak role was Nicholas Pryor as the director of the Thorn Museum. I am truly sorry for those people who did not care for this film, as it is head and shoulders above most of the Anti-Christ movies made. If you liked the first one this is a must see.
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