Bela Tarr's first full length film is a bleak indictment of communist housing policy; A young couple and their daughter are forced to live with the husband's family in a tiny flat in which tempers frequently flare. The close camera work and grainy documentary style capture the claustrophobia and indignity of life at close quarters with those you don't like; the father-in-law is a malevolent Iago-esquire figure, forever whispering conspiracies to his son. The couple are desperate to leave, but, as their meetings with the government officials show, there is no prospect of escape for years to come; This is despite many usable flats standing empty, unused for bureaucratic reasons.. We learn more of the characters as the second half of the film effectively becomes a series of monologues, which further convey what a bleak place 1970's Hungary was.
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