The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
In 1864, due to frequent Apache raids from Mexico into the US, a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries and scouts.
While driving through the Arizona desert, Albuquerque based independent trucker Martin Penwald - who goes by the handle "Rubber Duck" - along with his fellow truckers "Pig Pen" and "Spider Mike", are entrapped by unscrupulous Sheriff Lyle "Cottonmouth" Wallace using a key tool of the trucker's trade, the citizens' band (CB) radio. Rubber Duck and Cottonmouth have a long, antagonistic history. When this encounter later escalates into a more physical one as Cottonmouth threatens Spider Mike, a man who just wants to get home to his pregnant wife, Rubber Duck and other the truckers involved, including Spider Mike, Pig Pen and "Widow Woman", go on the run, figuring the best thing to do being to head to New Mexico to avoid prosecution. Along for the ride is Melissa, a beautiful photographer who just wanted a ride to the airport. As news of what happened spreads over the CB airwaves, other truckers join their convoy as a show of support. Cottonmouth rallies other law enforcement officers ... Written by
Although not clear in the film, Violet the truck stop waitress is actually "Dirty" Lyle Wallace's wife. According to the commentators on the 2016 Special Edition DVD/Blu Ray, it was more implicit in the script and added to the personal tensions between Lyle and Rubber Duck, since RD is very clearly engaged in an affair with Violet. The only hints that remain in the overall film is when RD asks Violet if/when is she going to leave her "old man" (slang for "husband") when she comes back into the truck stop after the fight and lets Lyle out. He then says to her, "We'll talk about this later." Although it can be inferred from this line and the fact that she actually freed him that they are involved (in the same way she's involved with RD), there is no direct implication that they are married. It only exists in the script. See more »
At the end of the fight in the diner, Spider Mike seen with his shirt ripped open. After a quick cut to Rubber Duck and then back to Mike, his shirt is fully buttoned. See more »
Here's the plan: When we get to the pass, we're gonna put on our fish costumes, pass out the Vaseline® an' an extra ration o' rum for the men. That should do it.
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During the final credits, clips from the movie are played. These include a few brief shots which don't appear in the final film (such as the final clip of the couple in the antique car). The clips also *roughly* follow the film backwards (the first few clips are from the end of the film, and they progress back to the beginning). See more »
Convoy is the shallowest of Sam Peckinpah's films, but by no means the worst. It contains some oddball characters and a number of memorable sequences, and alternately funny and thought-provoking dialogue. It also features one of the very best Ernest Borgnine performances that I can remember - not bad for a man who won an Oscar for Marty!
The story traces the fortunes of some truckers, led by "Rubber Duck" (Kris Kristofferson), as they drive through the states of New Mexico, Texas and Arizona. They are pursued by the law, and gradually more and more truckers join on at the back of the line until they have literally hundreds of lorries, all roaring along the highways in protest of the prejudicial treatment they receive from the cops.
Kristofferson is supremely enigmatic as the leader of the pack. Ali MacGraw is a bit of a bore as his female companion. As mentioned before, the real star is Borgnine, mean and menacing, funny and cruel as the cop who dedicates his life to victimising truck drivers. For such a shallow film, it looks and sounds beautiful. Even the car chase through the sand is poetic. I can't explain what's good about this picture. It sounds dull and pointless, yet to watch it is a thoroughly enjoyable experience. Convoy is a contradiction of itself.... plotless, pointless, thinly plotted, and yet still (somehow) a top notch film!
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