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Convoy (1978)
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Overview
User Rating:
Release Date:
10 August 1978 (Netherlands) moreTagline:
Kristofferson and MacGraw...ain't nothin' gonna get in their way!Plot:
Truckers form a mile long "convoy" in support of a trucker's vendetta with an abusive sheriff...Based on the country song of same title by C.W. McCall. | add synopsisAwards:
1 win moreNewsDesk:
(3 articles)
Rubber Ducky in Quest of Raison D'Etre (From Vanity Fair. 4 April 2009, 3:04 PM, PDT)
Amusement (DVD Review)
(From Fangoria. 28 January 2009, 7:57 AM, PST)
User Comments:
A Western...but with Trucks more (63 total)Cast
(Cast overview, first billed only)| Kris Kristofferson | ... | Rubber Duck aka Martin Penwald | |
| Ali MacGraw | ... | Melissa | |
| Ernest Borgnine | ... | Sheriff Lyle Wallace aka Cottonmouth | |
| Burt Young | ... | Pig Pen / Love Machine | |
| Madge Sinclair | ... | Widow Woman | |
| Franklyn Ajaye | ... | Spider Mike | |
| Brian Davies | ... | Chuck Arnoldi | |
| Seymour Cassel | ... | Governer Jerry Haskins | |
| Cassie Yates | ... | Violet | |
| Walter Kelley | ... | Federal Agent Hamilton | |
| Jackson D. Kane | ... | Big Nasty (as J.D. Kane) | |
| Billy Hughes | ... | Pack Rat (as Billy E. Hughes) | |
| Whitey Hughes | ... | White Rat | |
| Bill Coontz | ... | Old Iguana (as Bill Foster) | |
| Tommy J. Huff | ... | Lizard Tongue (as Thomas Huff) |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
110 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
Iceland:12 | Netherlands:16 | West Germany:12 (re-rated) | West Germany:16 | UK:15 (video rating) (1987) | UK:A (original rating) | Australia:M | Australia:PG (alternate rating) | Finland:K-16 | Norway:15 | Spain:18 | Sweden:15 | UK:12 (DVD rating) (2001) | USA:PGFun Stuff
Trivia:
Although the movie was inspired by the 1976 song of the same title, the song really didn't have much of a plot. So after the screenplay was written, Bill Fries (aka CW McCall) recorded a new version of the song, with lyrics that incorporated the characters and events of the film. This is the version that is played during the final credits. moreGoofs:
Continuity: Throughout the film, Rubber Duck's truck has a grill guard. In the scene after his and Pig Pen's trucks have crashed through the jail, the grill guard is missing when the truck pulls out. Yet it's back on there for the rest of the movie. moreQuotes:
Melissa: Well I think I've had just about enough of this, thank you very much. I'll think I'll take my things and GET OUT. If you'll pull over to the side, I'm sure I can hitch a ride very easily... Weren't you listening to me? I said I'm ready to get out!Rubber Duck: You want out? We're being chased. You want out? Jump.
Melissa: You want to add the Mann Act to your collection?
Rubber Duck: Mann Act's for 18 year olds, not someone who's seen the better side of thirty!
more
Soundtrack:
Lucille moreFAQ
This FAQ is empty. Add the first question.more (63 total)
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CONVOY, even after almost 30 years since it was released, remains was it was, an iconic American film by an iconic American director. This movie,which is not short on American archetypes, from Ernest Bornine's vile redneck sheriff "Dirty Lyle," to Kris Kristofferson's independence-loving "Rubber Duck," to Ali MacGraw's free-spirited "Melissa," is really an old-fashioned Western, but with trucks. LOTS of trucks. Like Clint Eastwood's "man with no name" gunslinger, Kristofferson (who steals every scene with his smile and blue eyes) is a man whose sense of honour and justice compels him to act on behalf of the down-trodden; symbolized in this case by a black truck driver named "Spider Mike" (played by actor Franklyn Ajaye). But instead of guns and "pistols at dawn" Kristofferson uses a semi. But it's not "justice" he's after, for in the world of CONVOY "justice" (per se) doesn't really exist. That's what makes this film so iconic. If it was about "justice" this movie would have been a court drama, with the Rubber Duck hiring a lawyer, going to court, and getting Dirty Lyle tossed in jail for his arrogance and abuse of power. Nor is it about mere revenge, for throughout the movie Kristofferson's character never truly reaches the point where he simply wants to hurt and destroy his nemesis. It's rather about personal honour and how we, as individuals, define it. Spider Mike, therefore, becomes not so much the victim of racism (which is repeatedly emphasized by the other characters calling him "boy") but of a system that has allowed dishonourable people (in positions of power) to abuse that power at will. Into this world comes the "legendary" Rubber Duck, the "last of the independents," who alone is willing to strike a blow for the diminished honour of another man, while seeking no reward for himself. This is the essence of the American Western and why it works so well in CONVOY. Take away the trucks, put on some cowboy boots and a six-shooter, and you have before you any number of Westerns whose sole premise is that one man with personal integrity and honour can make a real difference in the corrupt world in which he lives. The difference in this case is that Kristofferson doesn't just "clean up this one horse town" he, with the aid of his "posse" of like-minded truckers (Burt Young does a terrific job as his side-kick "Pig Pen"), totally demolishes it. And like those great Westerns, only then can Rubber Duck find solace for his spirit; which he does without compromising either his own values or his personal integrity This is the essence of honour itself and what really makes this movie work. Even, now, after almost 30 years, one cannot help but stand and cheer as Rubber Duck and company take on the forces arrayed against them as the movie reaches its climax. And then stand up cheer again during the closing dénouement. CONVOY, therefore, isn't about "America," or even about being an American, it IS America; the America of myth and folklore that people, even now, still believe in and which the great Westerns of old have done so much to popularize. Because of that and because director Sam Peckinpah does it with such style and grace, this iconic movie, by an iconic director, deserves a place on the shelf of every lover of good solid entertainment