Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having 'complications' during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye. Written by
Colin Tinto <firstname.lastname@example.org>
In the scene toward the end, where Dr. Susan Wheeler discovers Tom Selleck's body after it has been "harvested" it is Tom himself laying on the table. Later shots show that a dummy with a bad wig has been substituted for the actor. See more »
Dr. George A. Harris:
Somebody has to make these decisions. We can't wait around forever. If society won't decide, we'll decide. We'll make the hard decisions.
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Fine medical thriller; good work by Bujold and Widmark
In COMA, petite heroine Genevieve Bujold shows you don't have to be an amazon like Sigourney Weaver or Lucy Lawless to get physical with the bad guys. Set against a hospital backdrop ranking in verisimilitude with that of THE HOSPITAL (the only other accurate medical drama of the 1970's), this is a gripping thriller even on repeat viewing over twenty years later. Bujold's acting has been mentioned by other reviewers, but I would award special accolades to Richard Widmark, whose character's unctuous avuncularity is executed with superb subtlety. Plus, he even comports himself just like a real physician of seniority.
I do have a few complaints, not least of which is the gratuitous and grossly inaccurate portrayal of clinical lab personnel and the laboratory environment. Shame on Crichton, who must have missed out on visiting the lab through his entire tenure as a medical student. The laserdisc transfer is technically one of the worst I have in my collection. The monaural soundtrack is overdriven and distorted; the colors are washed out; and careless unmasking of the print (COMA is not letterboxed) results in visible boom mikes in several shots.
Still, this is a classic film, and anyone who wants to get up to speed on medical movies wouldn't want to exclude COMA.
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