Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
Hoping to cure his violent seizures, a man agrees to a series of experimental microcomputers inserted into his brain but inadvertently discovers that violence now triggers a pleasurable response his brain.
Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and was killed before he could tell anyone about it. They visit Futureworld to ... See full summary »
A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having 'complications' during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye. Written by
Colin Tinto <firstname.lastname@example.org>
Background artists playing the coma patients being suspended by wires in the coma clinic underwent such great a physical strain that they could only be filmed in six minute bursts. Because of this, the extras were paid extras. Director Michael Crichton said that "It was technically very complicated because the people could only hang for six minutes...You see, the suspension was actually only from the hips and neck. But because you had to act like you were suspended by wires everywhere, a great strain was put on the back...We had special tables built that were on jacks, like car jacks, and people would sit on these tables in between shots. And then they would be hung, and the tables would be rolled down and moved out...I think we used sixteen real people and fifteen dummies...But most of what the camera sees is real people." See more »
In the scene toward the end, where Dr. Susan Wheeler discovers Tom Selleck's body after it has been "harvested" it is Tom himself laying on the table. Later shots show that a dummy with a bad wig has been substituted for the actor. See more »
Dr. Susan Wheeler:
You did it.
[Put people in irreversible comas]
Dr. George A. Harris:
No decision is easy, Sue. It only looks that way when you're young. When you're older, everything is complicated. There is no black and white, only gray.
See more »
Not for those who fear the medical profession, this creepy thriller takes it's time getting started, but then kicks into high gear. It creates a mood and builds suspense to an almost unbearable degree. Elfin Bujold (sporting a truly unappealing hairstyle) is Dr. Susan Wheeler, a principled, dedicated intern at a major hospital. She begins to notice a disturbing trend...that folks with purportedly minor surgeries are not coming out of their operations conscious. From this point on, it is virtually Bujold against the world as a gallery of sexist, condescending doctors (including her own lover Douglas) tries to poo-poo her findings or encourage her to lay off. Naturally, she can't leave well enough alone and is soon up to her ears in intrigue and violence. The film has a blatantly frank point of view. People eat sandwiches while they are examining cadavers. Brains are sliced like deli meat. It's all very clinical and unsettling to non-medical viewers. There are several highly-charged moments including a duct hole exploration and a chase through a seemingly abandoned hospital. Jerry Goldsmith's clanking score doesn't take center stage until late in the film, but is wonderfully nerve-wracking when it needs to be. Bujold and the Chief of Staff Widmark make wonderful counterparts as they come from different generations and different eras of medicine. Best of all is the brief, but unforgettable, appearance of Ashley as the world's most intimidating nurse. In her opening scene she blinks exactly once! Her voice is a monotone terror and her stare is up there with Medusa's. The section that contains her is surreal, but arresting and very campy! Adding to the fun is a series of small appearances by people like Torn, Chiles, Selleck and Harris. This is a frightening film with some memorable imagery and a startling amount of skin for a PG film.
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