Fred Schepisi's film, 'The Devil's Playground' is an intimate portrait of Tom, a thirteen-year-old struggling in spirit and body with the constraints of living in a Catholic seminary. It is... See full summary »
In New Zealand in the 1860s the native Maori people fought the British colonials to keep the land guaranteed to them by treaty. The warrior Te Wheke fights for the British until betrayal ... See full summary »
Three women, all strangers to each other, meet in a dress boutique. One of the three is approached by the male proprietor as she is shoplifting a garment. When he approaches her the other ... See full summary »
The Ceddo try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap ... See full summary »
Recluse Smith (Sam Neill) is drawn into a revolutionary struggle between guerillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith ... See full summary »
Explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.
The story of Norbu, a horse thief, who is thrown out of his tribe in an effort to purge it of evil. Norbu repents after the birth of his son, but he is forced to steal again after the birth... See full summary »
The movie Dons Party is about a wild house party in a suburban Australian neighbourhood. Don Henderson convinces his wife to have another party so that their friends can gather to watch the... See full summary »
This film from 1978 as directed by Fred Schipisi of SIX DEGREES fame and of Thomas Keneally's book - he wrote SCHINDLER'S LIST - is a grim and disturbing depiction set during colonial 19th century Australia of a young Aboriginal man's descent into frustrated violence against his white English landowner masters. It becomes a really brutal film with explicit axe murders, especially against young girls and older women, and it is this visually distressing depiction that ultimately alienated the cinema audience. Jimmy's humiliation and cruel treatment is equally explicit and it is a relentless string of unhappy experiences by his inhumane 'boss' that ultimately causes him to crack - and hack. As a novel it is all in the mind of the reader but as a cinemascope color film, the 'running amok with an axe' sequences make any crowd want to run from the cinema. It was not seen on TV in Australia for almost 20 years and it is not likely to be either without most of the violence cut out, thus blunting the heavy handed message and the ultimate impact. Like poor Jimmy himself, the film version is in no man's land either. Past all that, it is a well made film and with an excellent cast; but very tough going. It fits well into a series of very sharply observed Australian films depicting the British colonial mind and its misunderstanding or cruelty towards Aboriginies: JEDDA in 1956, WALKABOUT in 1970, this film in 1978, RABBIT PROOF FENCE in 2001 and THE TRACKER in 2003. Each and every one are unique and excellent in their story. This one however, is the most violent which does derail its message. White urban Australia run amok is hilarious in a 1966 comedy THEY'RE A WEIRD MOB or demented boozy antics in THE ADVENTURES OF BARRY MCKENZIE in 1972... and alarmingly, horrifyingly realistic, soaked in beer bullets fists and dead kangaroos blood in Ted Kotcheff's superb 1971 drama OUTBACK. See the lot! It is a head-shaking but enlightening string of films, especially if seen in chronological order....like we all did! (may explain why our film makers in the 90s made musicals)
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