The Green Room
(1978)
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The Green Room
(1978)
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| Cast overview, first billed only: | |||
| François Truffaut | ... |
Julien Davenne
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| Nathalie Baye | ... |
Cecilia Mandel
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Jean Dasté | ... |
Bernard Humbert
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Patrick Maléon | ... |
Georges
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Jeanne Lobre | ... |
Mme Rambaud
(as Jane Lobre)
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Antoine Vitez | ... |
Bishop's secretary
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Jean-Pierre Moulin | ... |
Gerard Mazet
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Serge Rousseau | ... |
Paul Masigny
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Jean-Pierre Ducos | ... |
Priest in the mortuary room
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Annie Miller | ... |
Genevieve Mazet
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Nathan Miller | ... |
Genevieve Mazet's son
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Marie-Jaoul de Poncheville | ... |
Yvonne Mazet
(as Marie Jaoul)
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Monique Dury | ... |
Monique
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Laurence Ragon | ... | |
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Marcel Berbert | ... |
Dr. Jardine
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A French little town, at the end of the twenties. Julien Davenne is a journalist whose wife Julie died a decade ago. He gathered in the green room all Julie's objects. When a fire destroys the room, he renovates a little chapel and devotes it to Julie and his other dead persons. Written by Yepok
I was very impressed, when I watched this movie for the first time. I only knew Truffaut's most popular films (like Jules et Jim or Fahrenheit 451) by then. This film is so completely different than the ones mentioned above. I think Truffaut shows us his inner-self by playing the role of Julien Davenne, a journalist obsessed with the idea of building an altar for his dead. The audience gets a direct access to his feelings and thoughts about life and death. This film is a chance to understand Truffaut and his work better. He knew that the film would not be a box-office hit, but that was not important to Truffaut. He liked the short-stories by Henry James and just did what he wanted to. In my opinion Truffaut did a beautiful job by making this film. I think this film demands very much from its viewers. "The Green Room" provokes a self-reflection in the viewer. The viewer has to deal with his own attitude towards life and death. So this is not an easy film to watch. But if you want a film that differs from all the high-tech, action-loaded movies of the present that simultaneously gives you a very personal access to the man who made it, "The Green Room" is a good choice.