2.9/10
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Carry on Emmannuelle (1978)

The beautiful and sex-starved Emmannuelle Prevert just cannot inflame her husband's ardour. In frustration she seduces a string of VIPs, including the Prime Minister and the American ... See full summary »

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(original screenplay)
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Cast

Cast overview, first billed only:
...
Emile Prevert
...
Leyland / voice of Harry Hernia
Joan Sims ...
Mrs. Dangle
Jack Douglas ...
Lyons
Peter Butterworth ...
Richmond
Suzanne Danielle ...
...
Mrs. Valentine
Larry Dann ...
Theodore Valentine
Henry McGee ...
Harold Hump
Victor Maddern ...
Man in Launderette
Merlyn Ward ...
Dandy (as Guy Ward)
...
Immigration Officer
Eric Barker ...
Ancient General
...
Cynical Lady
James Fagan ...
Concorde Steward
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Storyline

The beautiful and sex-starved Emmannuelle Prevert just cannot inflame her husband's ardour. In frustration she seduces a string of VIPs, including the Prime Minister and the American Ambassador. A jealous lover gives a list of all her conquests to the national press and a scandal ensues. But will she ever manage to get her own husband into bed? Written by Simon N. McIntosh-Smith <Simon.N.Smith@cs.cf.ac.uk>

Plot Summary | Add Synopsis

Taglines:

When it comes to foreign affairs .... it's Carry On Emmannuelle

Genres:

Comedy | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

7 December 1978 (USA)  »

Also Known As:

Com Jeito Vai Emmannuelle  »

Box Office

Budget:

£320,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was Victor Maddern's final film before his death on June 22, 1993 at the age of 67. See more »

Goofs

When Leyland takes Emmannuelle for a ride around London, a green bus can be seen passing the car behind his head. In the very next shot when the camera cuts to Emmannuelle it disappears. See more »

Quotes

The Prime Minister: What were you doing in the far east, my dear?
Emmannuelle Prevert: Sleeping around mostly.
Emile Prevert: Er... she means sleeping around in many parts of the world.
See more »

Crazy Credits

The cast of the film are credited at the end. No Carry On film had done this previously, as the cast were credited at the beginning of the movie only. See more »

Connections

Featured in A Hard Look (2000) See more »

Soundtracks

Love Crazy
Composed by Kenny Lynch
Sung by Masterplan
See more »

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User Reviews

 
Bottom of the "Carry On" barrel
3 January 2005 | by See all my reviews

CARRY ON EMMANNUELLE

Aspect ratio: 1.85:1

Sound format: Mono

"Carry On" regular Sid James had been dead for almost two years when this threadbare concoction hit UK cinemas in 1978, and principal scriptwriter Talbot Rothwell had retired from the business in 1975 following a bout of ill health, throwing the long-standing (and extremely lucrative) "Carry On" series into disarray. While CARRY ON EMMANNUELLE isn't the worst of them - that 'honor' belongs to CARRY ON ENGLAND (1976), an utterly turgid wartime entry - Lance Peters' script was initially rejected by star Kenneth Williams as unworkable, though the finished product could hardly be worse! A mild, half-baked spin on the "Emmanuelle" series (inspired by Just Jaeckin's 1974 softcore drama), the 29th "Carry On" epic features Williams as the French ambassador to London, whose sexpot wife (Suzanne Danielle, surprisingly assured in her screen debut) has it off with all and sundry whilst pining for her husband's absent libido (lost when he landed on a church spire during a parachute jump - which demonstrates the film's level of wit). Series stalwarts Joan Sims, Jack Douglas, Kenneth Connor and Peter Butterworth look suitably embarrassed as members of the ambassador's household staff, and Larry Dann plays a downtrodden nerd who falls in love with Danielle following an amorous encounter on Concorde; Beryl Reid is his mum, a vision in chintz.

Opening with a dreadful disco ditty ('Love Crazy', written by Kenny Lynch and sung by 'Masterplan') which must have seemed dated even in 1978, CARRY ON EMMANNUELLE swaps the double entendres and deconstructive satire of Rothwell's era for a barrage of blatantly obvious sex jokes, none of which are even remotely funny, while Williams is reduced to mugging frantically over Danielle's 'suggestive' dialogue and dropping his drawers every time there's a lull in the action. While exploitation fans in other countries had been enjoying frank cinematic depictions of sex and sexuality since the late 1960's, British voyeurs - ie. those whose tastes ran more to NAUGHTY KNICKERS (1970) and DEEP THROAT (1972) than the mature exploration of adult themes favored by Ken Russell (THE DEVILS), Stanley Kubrick (A CLOCKWORK ORANGE) and others at the cutting edge of mainstream outrage

  • were forced to endure heavily censored imports and tawdry homegrown


comedies (I'M NOT FEELING MYSELF TONIGHT, CAN YOU KEEP IT UP FOR A WEEK?, LET'S GET LAID, etc.) which reinforced sexual stereotypes of every persuasion, and CARRY ON EMMANNUELLE is no better or worse than any of them. Having bombed at the box-office, this SHOULD have been the series' last gasp, but director Gerald Thomas and producer Peter Rogers revived the format in 1992 for the equally lackluster CARRY ON COLUMBUS, while "Carry On London" (shudder!) currently exists in pre-production limbo. All together now:

"That woman is lo-o-ve crazy / She's lovin' all night! / That woman is lo-o-ve crazy / Won't stop for a bite!..."

Told you it was dreadful, didn't I?...


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