At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings who pulls him along on a whirlwind adventure as she ... See full summary »
Louis Gossett Jr.
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have ... See full summary »
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Four totally different and separate stories of guests staying at the Beverly Hills Hotel. Maggie Smith and Michael Caine come from England to attend the Oscars; Jane Fonda comes from New York, Alan Alda is her ex who lives in California; in the slapstick part Bill Cosby, Richard Pryor and their wives come to the hotel to relax and play tennis, only to find there is only one room vacant; in the fourth segment Walter Matthau arrives a day before his wife for his nephew's Bar Mitzvah while his brother (Herb Edelman) sends a prostitute to his room. Written by
Bill Warren made a 1:30 lunch reservation for him and his ex-wife Hannah. After lunch, some time at the beach, and post-beach freshening up, Hannah says "It's 2:30; do you wanna call Jenny, or shall I?" It wouldn't be possible for all that activity to have taken place in just one hour. See more »
[a two-seater plane is flying over snow-capped mountains]
For heaven's sake, Wendy - look for an airport. Will you look for the airport?
Oh don't make such a fuss. Just put it down on a mountain.
What do you mean 'just put it down'? I'm lucky I can keep it up. I told you I never flew before.
Don't shout at me - I'm a first-class passenger.
You're a first class lunatic. It's all over Wendy - our relationship has a quarter of a tank to go.
Yes, but - you do love me, don't you Harold? ...
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In the opening credits, famous 70s artworks of British artist David Hockney are featured. The painting before Elaine May's name is entitled "Portrait of an Artist (Pool with two figures), 1972" and features a swimming pool with the Hollywood hills in the backdrop. The "two figures", both male, one swimming and the other standing over watching have been mysteriously edited out of the picture for some unknown reason. See more »
An ensemble cast that dreams are made of is present in this film, and all deliver quite well, even Walter Matthau who goes a bit over-the-top. Smith deservedly won an Oscar for her role as a screen actress loses her first Oscar nomination in a very long career. As her husband, Caine is also good, but the next two best performances come from Fonda and Alda as a bickering divorced couple. Those four performers, however, only cover two out of four tales in this film, and the other two are not as well as acted and neither are they filled with the same quality of witty dialogue. It is bit weird to watch the overall film, as it becomes fragmented by the transitions between each of the stories, and towards the end the lesser interesting tales dominate. With just the Fonda/Alda and Smith/Caine stories, this is excellent, very well written stuff. With all four put together, it is still quite interesting stuff, but nothing too great.
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