Paul Bratter, a conservative young lawyer, marries a vivacious young woman, Corrie. Their highly passionate relationship descends into comical discord in a five-flight New York City walk-up... See full summary »
Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
4 totally different and seperated stories of guests in a hotel. Maggie Smith and Michael Caine came from England to attend the Oscars; Jane Fonda came from New York, Alan Alda is her ex who lives in California; in the slapsticky part Bill Cosby, Richard Pryor and their wives come to the hotel to relax and play tennis and find there is only one room vacant; in the fourth segment Walter Matthau has come a day before his wife for his nephew's Bar Mitzvah, his brother: sends a prostitute to his room. Written by
The movie was selected to be the 1979 Royal Film Performance at London's Odeon Theatre, proceeds going to benefit the Cinema and Television Benevolent Fund. See more »
[a two-seater plane is flying over snow-capped mountains]
For heaven's sake, Wendy - look for an airport. Will you look for the airport?
Oh don't make such a fuss. Just put it down on a mountain.
What do you mean 'just put it down'? I'm lucky I can keep it up. I told you I never flew before.
Don't shout at me - I'm a first-class passenger.
You're a first class lunatic. It's all over Wendy - our relationship has a quarter of a tank to go.
Yes, but - you do love me, don't you Harold? ...
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In the opening credits, famous 70s artworks of British artist David Hockney are featured. The painting before Elaine May's name is entitled "Portrait of an Artist (Pool with two figures), 1972" and features a swimming pool with the Hollywood hills in the backdrop. The "two figures", both male, one swimming and the other standing over watching have been mysteriously edited out of the picture for some unknown reason. See more »
An ensemble cast that dreams are made of is present in this film, and all deliver quite well, even Walter Matthau who goes a bit over-the-top. Smith deservedly won an Oscar for her role as a screen actress loses her first Oscar nomination in a very long career. As her husband, Caine is also good, but the next two best performances come from Fonda and Alda as a bickering divorced couple. Those four performers, however, only cover two out of four tales in this film, and the other two are not as well as acted and neither are they filled with the same quality of witty dialogue. It is bit weird to watch the overall film, as it becomes fragmented by the transitions between each of the stories, and towards the end the lesser interesting tales dominate. With just the Fonda/Alda and Smith/Caine stories, this is excellent, very well written stuff. With all four put together, it is still quite interesting stuff, but nothing too great.
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