| Photos (See all 14 | slideshow) |
Directed by | |||
| Steve Rash | |||
Writing credits | ||
| Alan Swyer | (story) | |
| John Goldrosen | (source material "Buddy Holly His Life and Music") | |
| Robert Gittler | (screenplay) | |
Produced by | |||
| Frances Avrut-Bauer | .... | associate producer | |
| Fred Bauer | .... | producer (as Freddy Bauer) | |
| Edward H. Cohen | .... | executive producer | |
| Fred T. Kuehnert | .... | co-executive producer | |
Original Music by | |||
| Joe Renzetti | |||
Cinematography by | |||
| Stevan Larner | (director of photography) | ||
Film Editing by | |||
| David E. Blewitt | (as David Blewitt) | ||
Casting by | |||
| Joyce Selznick | |||
Production Design by | |||
| Joel Schiller | |||
Set Decoration by | |||
| Thomas L. Roysden | (as Tom Roysden) | ||
Makeup Department | |||
| Doris Alexander | .... | makeup artist | |
| Gerry Leetch | .... | hair stylist (as Gerry Becker Leetch) | |
| Marvin G. Westmore | .... | makeup artist (as Marvin Westmore) | |
Production Management | |||
| Don Goldman | .... | production manager (as Donald Goldman) | |
Second Unit Director or Assistant Director | |||
| Carol Himes | .... | assistant director | |
| Robert J. Smawley | .... | second assistant director (as Bob Smawley) | |
Art Department | |||
| Michael C. Ayers | .... | assistant property master (as Michael Ayers) | |
| Anthony P. Cellucci | .... | swing gang (as Tony Cellucci) | |
| Robert W. Dutton | .... | swing gang (as Robert Dutton) | |
| Victor Goldis | .... | construction foreman | |
| Jack Holz | .... | construction foreman | |
| Ronald C. Jacobs | .... | swing gang (as Ron Jacobs) | |
| Ron McCaffrey | .... | labor foreman | |
| James A. Rathbun | .... | swing gang (as Jim Rathbun) | |
| Ernie Sawyers | .... | property master | |
| Mort Zwicker | .... | construction coordinator | |
Sound Department | |||
| Willie D. Burton | .... | sound mixer (as Willie Burton) | |
| Joel Fein | .... | sound re-recordist | |
| Joel Fein | .... | special audio | |
| Walter A. Gest | .... | sound re-recordist (as Walter Gest) | |
| Robert W. Harris | .... | sound assistant (as Bob Harris) | |
| Marvin E. Lewis | .... | sound assistant (as Marvin Lewis) | |
| Colin C. Mouat | .... | sound effects editor (as Colin Mouat) | |
| Tex Rudloff | .... | sound re-recordist | |
| Jerry Stanford | .... | dialogue editor | |
| Curly Thirlwell | .... | sound re-recordist | |
Camera and Electrical Department | |||
| Charlie Albrecht | .... | grip | |
| Tom Bookout | .... | grip | |
| Garrett Brown | .... | Steadicam operator | |
| David Dalzell | .... | camera operator | |
| John Davis | .... | best boy | |
| Allen Facemire | .... | director of photography: second unit (as Alan Facemire) | |
| John Falone | .... | grip: second unit | |
| Sherman Fulton | .... | lamp operator (as Sherman Fulton Jr.) | |
| Michael Goldstein | .... | camera assistant (as Mike Goldstein) | |
| Gene Griffith | .... | key grip (as Eugene Griffith) | |
| Bob Harkins | .... | grip | |
| Elisha Harris | .... | lamp operator | |
| Gemma La Mana | .... | still photographer (as Gemma LaMana) | |
| Kyle T. MacDowell | .... | electrician | |
| Calvin Maehl | .... | gaffer | |
| Jeffrey W. Petersen | .... | lamp operator (as Jeffrey Peterson) | |
| Steve Peterson | .... | camera assistant (as Steven Peterson) | |
| Randall Robinson | .... | Steadicam assistant | |
| Randall Robinson | .... | first assistant camera | |
| Thomas Sands | .... | grip best boy | |
| Robert Segars | .... | gaffer: second unit | |
| Steve Stafford | .... | assistant camera | |
Casting Department | |||
| Sharon Benson | .... | extras casting coordinator | |
Costume and Wardrobe Department | |||
| Michael Butler | .... | wardrobe | |
| William Flores | .... | costumer: male | |
| Thalia Phillips | .... | wardrobe | |
Editorial Department | |||
| Susanne Gervay | .... | negative cutter | |
| Mark Newman | .... | apprentice film editor | |
| James Seidelman | .... | assistant film editor | |
Music Department | |||
| Bud Buschardt | .... | music research | |
| Frank Capp | .... | musical contractor (as Frankie Capp) | |
| Joe Renzetti | .... | conductor | |
| Jack K. Tillar | .... | music editor (as Jack Tillar) | |
Transportation Department | |||
| Rene Baken | .... | driver | |
| Norm Benson | .... | driver | |
| Reed Cohan | .... | driver | |
| Donald P. Desmond | .... | driver (as Donald Desmond) | |
| Thomas A. Gordon | .... | driver (as Thomas Gordon) | |
| Clive Henderson | .... | driver | |
| William Jakubecy | .... | driver | |
| Darwin Joston | .... | driver | |
| Herald Koger III | .... | driver | |
| Bob Limon | .... | driver | |
| Gary Littlefield | .... | transportation coordinator | |
| Jean Spray | .... | transportation captain | |
| Fred Stretch | .... | driver | |
| Jerry Weiss | .... | driver | |
| Janet Woodd | .... | driver | |
Other crew | |||
| Michael Ackley | .... | stand-in | |
| Larry Joe Berger | .... | stand-in | |
| Pat Bradley | .... | assistant to producer | |
| Suzy Dahl | .... | secretary to producer | |
| Douglas Dean III | .... | production assistant | |
| Kate Groobin | .... | stand-in | |
| Joyce King | .... | script supervisor | |
| Alex Klinsky | .... | craft service | |
| John Lytle | .... | location manager | |
| Kelly Marshall | .... | unit coordinator | |
| Maggie Rash | .... | project coordinator | |
Thanks | |||
| Jim Afflick | .... | special thanks | |
| Herman Avrut | .... | special thanks | |
| Ave Butensky | .... | special thanks | |
| Stu Chalfin | .... | special thanks | |
| Joe Diaz | .... | special thanks | |
| Buddy Epstein | .... | special thanks | |
| Bob Fain | .... | special thanks | |
| Maggie Fain | .... | special thanks | |
| Len Hodes | .... | special thanks | |
| Sue Lesser | .... | special thanks | |
| Joe Lipshur | .... | special thanks | |
| Jan McCormick | .... | special thanks | |
| Harry McMahan | .... | special thanks | |
| Frank Mooney | .... | special thanks | |
| Clifford Neschky | .... | special thanks | |
| Ralph Peer | .... | special thanks | |
| Ralph A. Rash | .... | special thanks | |
| Ralph R. Rash | .... | special thanks | |
| Norman G. Rudman | .... | special thanks (as Norman Rudman) | |
| Allen Sanders | .... | special thanks | |
| Bobby Schiffman | .... | special thanks | |
| Bobbi Silver | .... | special thanks | |
| Jon Sirlin | .... | special thanks | |
| Joe Weiss | .... | special thanks | |
| Louise Zuckerman | .... | special thanks | |
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| Ray | La Bamba | Last Days | A Star Is Born | Coal Miner's Daughter |
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I was fortunate enough to be an extra in this movie when I was about 13 during the roller rink scenes. My junior high school drama class was invited to participate. It was a fantastic experience.
Gary Busey, Charles Martin Smith and Don Stroud played the music live, all day! As a musician, I can appreciate the tireless work and dedication these guys put in to their roles. They must have played those songs 20 times. It's very difficult to maintain consistency and energy under those conditions. This is visible during a cut to a close-up on "That'll Be the Day," but fortunately the unsuspecting public probably wouldn't have picked it up.
Skating around all day, getting the day off from school and being transported back in time was a incredible thrill. I also had my first "date" on film. I had to walk a girl up to the ticket booth. Woo hoo! Even with an out-of-date haircut and hot lights melting the vaseline in my hair, it was still worth it. Fun stuff.
The movie is top notch and is highly satisfying as a whole. Busey delivers his best role ever and the supporting cast is superb. I'm glad to have participated in a great film of the day. To think I could have been in Corvette Summer or something. Not.
A funny ironic ending to this is that years later I was in a video store in Malibu looking at the movie the week it was released on video. Gary Busey walked in and stood right next to me. I showed him the cover and babbled on how great he was and how I was an extra and whatnot. Pretty weird, but very cool, for what it's worth.