Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
After a long spate of bad luck, the little criminal Tony and his gang successfully rob one of Brink's security transports, taking $30,000. Surprisingly their coup doesn't make the press. Curious Tony checks out their headquarters and finds out that their security standard is low beyond belief. Now a really big coup is prepared... Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
In 1938 Boston, petty criminal Tony Pino (Peter Falk) and his robbery gang get caught. In 1944, his friend Joe McGinnis (Peter Boyle) picks him up after getting released from prison. He rejoins wife Mary (Gena Rowlands). He gets a new crew which includes idiot brother-in-law Vinnie (Allen Garfield), disturbed war veteran Specs O'Keefe (Warren Oates), and Jazz Maffie (Paul Sorvino). The bumbling crew struggles to rob a candy factory. Tony passes by Brink's and is enticed by the cash. He talks into the warehouse and copies a key. The crew starts stealing from the trucks but no one seems to catch on. They realize the careless security and robs the vault for $1 million. The large amount and notoriety draws in J. Edgar Hoover (Sheldon Leonard).
It's a fine period heist movie from William Friedkin. There's a bit of fun. This is not a high functioning crew. It could easily turn into a more slapstick comedy than it already is. There are some great idiocy like Specs suggesting blasting the vault with a bazooka. There are bits and pieces of goodness but I'm less enamored with the last section. It becomes a muddle as the crew is gathered up. The action is lost and I can't figure out each character. Normally, the action would go bigger into the climax. I do have respect for going the other way including Mary casually making dinner for the cops.
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