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The Brink's Job (1978)

 -  Comedy | Crime | Drama  -  8 December 1978 (USA)
6.5
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Ratings: 6.5/10 from 1,631 users  
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After a long spate of bad luck, the little criminal Tony and his gang successfully rob one of Brink's security transports, taking $30,000. Surprisingly their coup doesn't make the press. ... See full summary »

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Title: The Brink's Job (1978)

The Brink's Job (1978) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
...
...
Joe McGinnis
...
Vinnie Costa (as Allen Goorwitz)
...
Specs O'Keefe
...
Mary Pino
...
Jazz Maffie
...
Gerard Murphy ...
Sandy Richardson
Kevin O'Connor ...
Stanley Gusciora
Claudia Peluso ...
Gladys
Patrick Hines ...
H.H. Rightmire
...
Mutt Murphy
Walter Klavun ...
Daniels
Randy Jurgensen ...
FBI agent
John Brandon ...
FBI agent
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Storyline

After a long spate of bad luck, the little criminal Tony and his gang successfully rob one of Brink's security transports, taking $30,000. Surprisingly their coup doesn't make the press. Curious Tony checks out their headquarters and finds out that their security standard is low beyond belief. Now a really big coup is prepared... Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Taglines:

The greatest true comedy robbery of all time!

Genres:

Comedy | Crime | Drama | History

Certificate:

R | See all certifications »
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Details

Country:

Language:

|

Release Date:

8 December 1978 (USA)  »

Also Known As:

Big Stickup at Brink's  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The Brink's of the film's title and the place where the robbery takes place is an abbreviated short form of Brinks Incorporated. The final credits declare that Brink's is a registered trademark of Brinks Incorporated. The end credits give special thanks to Brink's Incorporated for their co-operation in making this movie and state that "Since 1859 nobody has ever lost a penny entrusting their valuables to Brink's". See more »

Goofs

The railroad tracks they walk across are not electrified. Subway tracks that utilize electric power have a third rail. See more »

Quotes

Stanley Gusciora: Your Honor, I can't do no 20 years.
Judge: Well do as much as you can, son.
[bangs gavel]
See more »

Connections

Referenced in Da Corleone a Brooklyn (1979) See more »

Soundtracks

World Events
(uncredited)
Music by J.S. Zamecnik
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User Reviews

 
THE BRINK’S JOB (William Friedkin, 1978) **1/2
4 July 2008 | by (Naxxar, Malta) – See all my reviews

After the dismal box office and critical reception of SORCERER (1977), William Friedkin went for a change of pace with this light-hearted piece which, however, proved that his previous misstep with was no fluke: in fact, his career never really picked up after that costly bit of self-indulgence (even so, I’ve only just acquired the director’s fair update of his own THE FRENCH CONNECTION [1971], namely TO LIVE AND DIE IN L.A. [1985])!

Anyway, this concerns – in a somewhat uneasy comedic vein – the famous January 1950 robbery from the Boston branch of the titular depository of payrolls destined to various key firms; incidentally, the same events had previously been depicted in the 1976 TV-movie BRINKS: THE GREAT ROBBERY. Its coup is in the meticulous period reconstruction (which earned production designer Dean Tavoularis, already responsible for BONNIE AND CLYDE [1967] and “The Godfather” films among others, an Oscar nod) – Friedkin himself had earlier demonstrated his prowess in this area with another comedy about an equally notorious incident i.e THE NIGHT THEY RAIDED MINSKY’S (1968).

Interestingly, too, the cast of daring crooks here comprises several reliable character actors of the era – Peter Falk, Peter Boyle, Allen Garfield, Paul Sorvino and Warren Oates; 1940s Hollywood veteran Sheldon Leonard turns up towards the end as J. Edgar Hoover(!), but Gena Rowlands is wasted in the role of Falk’s wife. The comedy revolves around Falk and Garfield’s bumbling duo – the former is the mastermind and the other his often resentful relative/underling. After a number of ‘jobs’ go wrong (with Falk even doing a 6-year stretch in jail) or the ‘funds’ don’t last (one amusing sequence has them following a payroll van around and lifting a handful of money bags with every stop it makes – since the officer left to ostensibly guard them is apparently in continuous slumber!), they set their mind on robbing the Brink’s warehouse.

After studying the place from the outside (such as time of arrival and departure of the various employees, and their toilet habits!), Falk manages to get inside the building to get an idea of how it’s set-up; with the place left unguarded during the night, he’s able to break in with relative ease to look for possible alarm systems and determine the model of the safe – the former is an ancient device, but the latter is up-to-date and unassailable. Oates, a war veteran, proposes to dent its surface with a bazooka fired from the roof of the opposite building(!) – however, saner heads prevail and they organize a good old-fashioned stick-up (complete with the gang putting on grotesque masks). Eventually, the sum they make off with is over $1.5 million – which, at the inflation rate of the day, was considered the biggest haul in U.S. history…thus bringing the F.B.I. in on the case.

I’m not familiar with the facts of the real case but, here, the denouement is rather unexciting as Oates is brought to justice for another (minor) theft and, since he has a very sick sister and can’t possibly make the whole jail-term, he spills the beans on The Brink’s Job! Still, the gang apparently had the last laugh as, in spite of Hoover’s promises, a very small percentage of the money was retrieved over the years (as per the postscript) – and, following the lapse of their individual sentences, one assumes each picked up where they had left off… Ultimately, the film is O.K. (though curiously undistinguished among the spate of heist pictures made during this cynical era) – and especially disappointing given the intriguing subject matter and the welter of talent involved (including a script by THE WILD BUNCH [1969]’s Walon Green).


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