| Photos (See all 15 | slideshow) |
| Gregory Peck | ... | Dr. Josef Mengele | |
| Laurence Olivier | ... | Ezra Lieberman | |
| James Mason | ... | Eduard Seibert | |
| Lilli Palmer | ... | Esther Lieberman | |
| Uta Hagen | ... | Frieda Maloney | |
| Steve Guttenberg | ... | Barry Kohler (as Steven Guttenberg) | |
| Denholm Elliott | ... | Sidney Beynon | |
| Rosemary Harris | ... | Mrs. Doring | |
| John Dehner | ... | Henry Wheelock | |
| John Rubinstein | ... | David Bennett | |
| Anne Meara | ... | Mrs. Curry | |
| Jeremy Black | ... | Jack Curry / Simon Harrington / Erich Doring / Bobby Wheelock | |
| Bruno Ganz | ... | Professor Bruckner | |
| Walter Gotell | ... | Mundt | |
| David Hurst | ... | Strasser | |
| Wolfgang Preiss | ... | Lofquist | |
| Michael Gough | ... | Mr. Harrington | |
| Joachim Hansen | ... | Fassler | |
| Sky du Mont | ... | Hessen (as Guy Dumont) | |
| Carl Duering | ... | Trausteiner | |
| Linda Hayden | ... | Nancy | |
| Richard Marner | ... | Doring | |
| Georg Marischka | ... | Gunther | |
| Günter Meisner | ... | Farnbach | |
| Prunella Scales | ... | Mrs. Harrington | |
| Raul Faustino Saldanha | ... | Ismael | |
| Jürgen Andersen | ... | Kleist (as Jurgen Anderson) | |
| Mervyn Nelson | ... | Stroop | |
| David Brandon | ... | Schmidt | |
| Monica Gearson | ... | Gertrud | |
| Wolf Kahler | ... | Schwimmer | |
| Gerti Gordon | ... | Berthe |
Directed by | |||
| Franklin J. Schaffner | |||
Writing credits | ||
| Ira Levin | (novel) | |
| Heywood Gould | (screenplay) | |
Produced by | |||
| Robert Fryer | .... | executive producer | |
| Stanley O'Toole | .... | producer | |
| Martin Richards | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Henri Decaë | (director of photography) (as Henri Decae) | ||
Film Editing by | |||
| Robert Swink | (as Robert E. Swink) | ||
Casting by | |||
| Alixe Gordin | |||
Production Design by | |||
| Gil Parrondo | |||
Art Direction by | |||
| Peter Lamont | |||
Set Decoration by | |||
| Vernon Dixon | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Ronnie Cogan | .... | hair stylist | |
| Patrick Grant | .... | hair stylist | |
| Bill Lodge | .... | makeup artist | |
| Christopher Tucker | .... | makeup artist | |
Production Management | |||
| Ron Carr | .... | production supervisor | |
| Dieter Meyer | .... | production manager: Austria | |
Second Unit Director or Assistant Director | |||
| Terence Churcher | .... | second assistant director (as Terry Churcher) | |
| Paul Esposito | .... | assistant director: USA | |
| Mike Jordan | .... | assistant director: USA | |
| José López Rodero | .... | first assistant director (as Jose Lopez Rodero) | |
| João Severino | .... | assistant director: Portugal | |
| Marijan David Vajda | .... | second assistant director: Austria (as Marijan Vajda) | |
Art Department | |||
| Stephen Hendrickson | .... | art director: USA (as Steve Hendrickson) | |
| Michael Murchan | .... | construction manager | |
| Thomas Ricabona | .... | assistant art director: Austria | |
| Richard Mccarthy | .... | plasterer (uncredited) | |
Sound Department | |||
| Derek Ball | .... | sound recordist | |
| Bill Barringer | .... | sound assistant | |
| Don J. Bassman | .... | supervising sound mixer (as Don Bassman) | |
| William Hartman | .... | sound editor | |
| Godfrey Marks | .... | dialogue editor | |
| Ken Nightingall | .... | boom operator | |
| Richard Overton | .... | sound re-recording mixer | |
| Edward Rossi | .... | sound editor | |
| Richard Sperber | .... | sound editor | |
| Richard Weaver | .... | sound re-recording mixer | |
Special Effects by | |||
| Roy Whybrow | .... | special effects | |
Stunts | |||
| Del Baker | .... | stunts | |
| Dinny Powell | .... | stunts | |
| Eddie Powell | .... | stunts | |
Camera and Electrical Department | |||
| Bert Cann | .... | still photographer | |
| Jack Coggins | .... | gaffer | |
| Colin Davidson | .... | assistant camera | |
| James Devis | .... | camera operator (as Jimmy Devis) | |
| Michael Ginsburg | .... | still photographer: USA | |
| Ted H. Hauser | .... | assistant camera: USA (as Theodore Hauser) | |
| Dewi Humphries | .... | assistant camera | |
| Ed Irvins | .... | assistant camera: USA | |
| Bob Puglisi | .... | camera operator: USA | |
Casting Department | |||
| Renate Arbes | .... | casting: Vienna | |
| Maude Spector | .... | casting: London | |
Costume and Wardrobe Department | |||
| Rebecca Breed | .... | wardrobe mistress | |
| Richard Pointing | .... | wardrobe master | |
Editorial Department | |||
| Jenny Schaffner | .... | apprentice editor | |
| Dennis Wooley | .... | assistant editor | |
Music Department | |||
| Leonard A. Engel | .... | music editor (as Len Engel) | |
| Arthur Morton | .... | orchestrator | |
Transportation Department | |||
| Gerhard Rupp | .... | transportation manager (uncredited) | |
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| Munich | The Motorcycle Diaries | The Invisible Monster | The Constant Gardener | The Dancer Upstairs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
THE BOYS FROM BRAZIL opens in scenic and remote Paraguay where Barry Kohler (a young Steve Guttenburg) is on the trail of a mysterious gathering of former Third Reich heavy hitters, including Eduard Seibert (James Mason), now in exile. As his information becomes more detailed, he contacts Ezra Lieberman (Laurence Olivier), a renowned Nazi hunter. In the meantime Dr. Josef Mengele (Gregory Peck) makes the scene and after Kohler's bugging of a secret meeting goes wrong, Lieberman is left with only a thread of a much deeper story, which he sets about to unravel...
Even though the plot is fairly well known by now, I will assume some people are not familiar with Ira Levin's book or the film. In fact the less you know about the plot the better; I think that the dust jacket gives far too much of the story away...Anyway, THE BOYS FROM BRAZIL is a film that toes a very dangerous line, I mean few film makers want to turn a man like Menegele into a camp figure. But the cast and crew handles the material with deft intelligence. The cast is fantastic: Peck, as Mengele, delivers a strong performance that never falters. In the tired yet determined Lieberman, Laurence Olivier creates a wonderful character; a late highlight of a distinguished career. James Mason, as Seibert and Bruno Ganz as a mouthpiece for outdated genetic research, do well to support the action, but are given little to do. It is Peck and Olivier that propel the film along; the violent showdown between the two men is a must see.
Jerry Goldsmith supports the on screen action with a Straussian waltz to tie in the Austrian backdrop. Goldsmith also provide some terse action music for the third act of the film. This is one of the last films that Goldsmith and director Franklin J. Schaffner would collaborate on. On that note, it would seem to me high time for a more detailed retrospective of Schaffner's body of work; which includes THE WARLORD, PATTON, ISLANDS IN THE STREAM, PLANET OF THE APES, PAPILLION, LIONHEART. It is Schaffner's sensibilities that keep THE BOYS FROM BRAZIL from jumping the track. He uses steady camera work and smooth style to create a world the characters can inhabit (something "over" directors of today know little about). Schaffner's style is more subtle, workman like, which may explain why he is not better known among the general populace. He keeps THE BOYS FROM BRAZIL grounded and allows his actors to flesh the characters out, which makes all the difference in the world. 8/10.