| Photos (See all 15 | slideshow) |
| Gregory Peck | ... | Dr. Josef Mengele | |
| Laurence Olivier | ... | Ezra Lieberman | |
| James Mason | ... | Eduard Seibert | |
| Lilli Palmer | ... | Esther Lieberman | |
| Uta Hagen | ... | Frieda Maloney | |
| Steve Guttenberg | ... | Barry Kohler (as Steven Guttenberg) | |
| Denholm Elliott | ... | Sidney Beynon | |
| Rosemary Harris | ... | Mrs. Doring | |
| John Dehner | ... | Henry Wheelock | |
| John Rubinstein | ... | David Bennett | |
| Anne Meara | ... | Mrs. Curry | |
| Jeremy Black | ... | Jack Curry / Simon Harrington / Erich Doring / Bobby Wheelock | |
| Bruno Ganz | ... | Professor Bruckner | |
| Walter Gotell | ... | Mundt | |
| David Hurst | ... | Strasser | |
| Wolfgang Preiss | ... | Lofquist | |
| Michael Gough | ... | Mr. Harrington | |
| Joachim Hansen | ... | Fassler | |
| Sky du Mont | ... | Hessen (as Guy Dumont) | |
| Carl Duering | ... | Trausteiner | |
| Linda Hayden | ... | Nancy | |
| Richard Marner | ... | Doring | |
| Georg Marischka | ... | Gunther | |
| Günter Meisner | ... | Farnbach | |
| Prunella Scales | ... | Mrs. Harrington | |
| Raul Faustino Saldanha | ... | Ismael | |
| Jürgen Andersen | ... | Kleist (as Jurgen Anderson) | |
| Mervyn Nelson | ... | Stroop | |
| David Brandon | ... | Schmidt | |
| Monica Gearson | ... | Gertrud | |
| Wolf Kahler | ... | Schwimmer | |
| Gerti Gordon | ... | Berthe |
Directed by | |||
| Franklin J. Schaffner | |||
Writing credits | ||
| Ira Levin | (novel) | |
| Heywood Gould | (screenplay) | |
Produced by | |||
| Robert Fryer | .... | executive producer | |
| Stanley O'Toole | .... | producer | |
| Martin Richards | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Henri Decaë | (director of photography) (as Henri Decae) | ||
Film Editing by | |||
| Robert Swink | (as Robert E. Swink) | ||
Casting by | |||
| Alixe Gordin | |||
Production Design by | |||
| Gil Parrondo | |||
Art Direction by | |||
| Peter Lamont | |||
Set Decoration by | |||
| Vernon Dixon | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Ronnie Cogan | .... | hair stylist | |
| Patrick Grant | .... | hair stylist | |
| Bill Lodge | .... | makeup artist | |
| Christopher Tucker | .... | makeup artist | |
Production Management | |||
| Ron Carr | .... | production supervisor | |
| Dieter Meyer | .... | production manager: Austria | |
Second Unit Director or Assistant Director | |||
| Terence Churcher | .... | second assistant director (as Terry Churcher) | |
| Paul Esposito | .... | assistant director: USA | |
| Mike Jordan | .... | assistant director: USA | |
| José López Rodero | .... | first assistant director (as Jose Lopez Rodero) | |
| João Severino | .... | assistant director: Portugal | |
| Marijan David Vajda | .... | second assistant director: Austria (as Marijan Vajda) | |
Art Department | |||
| Stephen Hendrickson | .... | art director: USA (as Steve Hendrickson) | |
| Michael Murchan | .... | construction manager | |
| Thomas Ricabona | .... | assistant art director: Austria | |
| Richard Mccarthy | .... | plasterer (uncredited) | |
Sound Department | |||
| Derek Ball | .... | sound recordist | |
| Bill Barringer | .... | sound assistant | |
| Don J. Bassman | .... | supervising sound mixer (as Don Bassman) | |
| William Hartman | .... | sound editor | |
| Godfrey Marks | .... | dialogue editor | |
| Ken Nightingall | .... | boom operator | |
| Richard Overton | .... | sound re-recording mixer | |
| Edward Rossi | .... | sound editor | |
| Richard Sperber | .... | sound editor | |
| Richard Weaver | .... | sound re-recording mixer | |
Special Effects by | |||
| Roy Whybrow | .... | special effects | |
Stunts | |||
| Del Baker | .... | stunts | |
| Dinny Powell | .... | stunts | |
| Eddie Powell | .... | stunts | |
Camera and Electrical Department | |||
| Bert Cann | .... | still photographer | |
| Jack Coggins | .... | gaffer | |
| Colin Davidson | .... | assistant camera | |
| James Devis | .... | camera operator (as Jimmy Devis) | |
| Michael Ginsburg | .... | still photographer: USA | |
| Ted H. Hauser | .... | assistant camera: USA (as Theodore Hauser) | |
| Dewi Humphries | .... | assistant camera | |
| Ed Irvins | .... | assistant camera: USA | |
| Bob Puglisi | .... | camera operator: USA | |
Casting Department | |||
| Renate Arbes | .... | casting: Vienna | |
| Maude Spector | .... | casting: London | |
Costume and Wardrobe Department | |||
| Rebecca Breed | .... | wardrobe mistress | |
| Richard Pointing | .... | wardrobe master | |
Editorial Department | |||
| Jenny Schaffner | .... | apprentice editor | |
| Dennis Wooley | .... | assistant editor | |
Music Department | |||
| Leonard A. Engel | .... | music editor (as Len Engel) | |
| Arthur Morton | .... | orchestrator | |
Transportation Department | |||
| Gerhard Rupp | .... | transportation manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Young Nazi-hunter Barry Kohler (Steve Guttenberg) is tracking war criminals in Paraguay when he discovers that the old Nazis seem to be plotting something big. Kohler's fears are confirmed when the Nazis' guest of honor arrives: the infamous concentration camp scientist Josef Mengele (Gregory Peck). Mengele order his followers to carry out the murders of over 90 men, all of whom are 65-year-old civil servants, none of whom are Jews.
Kohler phones his idol, Ezra Lieberman (Laurence Olivier), with a report of what he's uncovered. Lieberman has fallen on hard times and lives in a leaky apartment where he cannot pay the rent. He's spent his life following every lead about Nazi war criminals and is tired of the chase. However, when Kohler's call (and his life) are abruptly cut short, Lieberman knows he must act.
He begins to investigate the bizarre plot. Why should Mengele want to kill these men who seem entirely unconnected to each other or the war? Why 65-year-olds? Why civil servants? Sadly many of the blurbs about this movie give away the solution to this mystery and the meaning of the title, but the mystery is much more engaging if the viewer unravels it along with Lieberman.
Olivier is fantastic in his role! He always put as much effort into his roles in genre films like this one, "Marathon Man," and "Dracula" as he devoted to Shakespeare, and it shows. He is thoroughly convincing as an elderly German Jew. Gregory Peck is also magnificent; he radiates pure evil. The top-notch supporting cast includes James Mason and Denholm Elliott. (So what's Steve Guttenberg doing in this movie?)