A young knight sets out to join King Richard's crusaders. Along the way, he encounters The Black Prince who captures children and sells them as slaves to the Muslims. It is Robert Narra's ... See full summary »
After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
Spring 1634: Unidentified Indians kill John Stone, a scurrilous Englishman and pirate. The English blame the Pequots and for two years Colonial-Pequot tensions remain high. 1636: Block ... See full summary »
From the beginning of the film: "This is the story of a new twist on the oldest profession. The film follows a group of Brazilian prostitutes over two years as they work not only the ... See full summary »
Based on the Ira Levin novel, the original film fit the mode of 1970s paranoid thrillers, with Laurence Olivier uncovering a diabolical plot by Nazis in South America to revive the Third ... See full summary »
Barry Kohler, a young Nazi hunter, tracks down a group of former SS officers meeting in Paraguay in the late 1970s. The Nazis, led by Dr Mengele, are planning something. Old Nazi hunter, Ezra Lieberman, is at first uninterested in Kohler's findings. But when he is told something of their plan, he is eager to find out more. Lieberman visits several homes in Europe and the U.S. in order to uncover the Nazi plot. It is at one of these houses he notices something strange, which turns out to be a horrible discovery. Written by
James Mason reportedly was not interested in the script for "The Boys from Brazil", until he found out that his friends "Greg" and "Larry" were already signed-up. "Greg", of course, was Gregory Peck, and "Larry" was Sir Laurence Olivier. See more »
At the end of the film, Lieberman is in the hospital in Lancaster, Pennsylvania, but there is an English-style TV on the wall. See more »
Had I seen the film without reading the back of the video cassette, I would have enjoyed the film a lot more. But for some reason, a major plot point, revealed 1 1/2 hours into the film, is plainly written in black on orange. Since the movie moves in ever decreasing circles to reveal this secret quite efficiently, I don't see why the publicity department chose to sabotage it.
Nevertheless, the plot is more plausible than it sounds when you try to describe it (which, as I have just said, should be avoided anyway), and the leads play beautifully. Especially incredible is Laurence Olivier as the doddering, worldly-wise jewish Nazi hunter, Dr. Lieberman. You'd never expect the frail form in this movie to be the same man as Hamlet. Gregory Peck also plays Dr. Joseph Mengele as suitably and calmly evil. A lesser actor would find playing the part of a Nazi Death Doctor, responsible for some of the worst atrocities in human history, a perfect excuse to ham it up and click into the black-hatted, moustache-twisting token villain.
The less impressive acting of Steve Guttenberg overacting into a telephone and Jeremy Black with a really strange german accent as Erich Doring. This I can forgive. The ending is also comfortable and understated, with a moral instead of a huge explosion, as could have been expected in a 90's movie. Worth seeing, especially if you know nothing about the film.
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