| James Mitchum | ... | Dan Evans | |
| Robert Carradine | ... | Christie | |
| Belinda Montgomery | ... | Annie Gallo | |
| June Allyson | ... | Mrs. Grant | |
| Jean-Pierre Aumont | ... | Henri | |
| Ray Milland | ... | Richard Stafford | |
| Don Granberry | ... | Chico | |
| Terry Haig | ... | Eddy | |
| Victor B. Tyler | ... | Marcus | |
| rest of cast listed alphabetically: | |||
| Camille Ange | |||
| Maurice Attias | |||
| David Bairstow | |||
| Thor Bishopric | |||
| David Bloom | |||
| Fred Doederlein | ... | Mr. Grant | |
| Norris Domingue | |||
| Anna Dorland | |||
| Claudie Duckworth | |||
| George Fonseca | |||
| Sonny Forbes | (as Sony Forbes) | ||
| Henry Gamer | |||
| Alexander Godfrey | |||
| Dick Grant | |||
| Arthur Grosser | |||
| Marek Lehman | |||
| Jimmy Loftus | |||
| Judy London | |||
| Peter MacNeill | |||
| Doris Malcolm | |||
| Louis Negin | |||
| Malcolm Nelthorpe | |||
| Allan Neumann | |||
| Candace O'Connor | |||
| Jarvis Oree | |||
| Arleigh Peterson | |||
| Mary Pinatel | |||
| Marguerite Sidhom | |||
| Norman Taviss | |||
| Gwen Tolbart | |||
| Vlasta Vrana | |||
| Jim Walton | |||
| Len Watt | |||
| John Wildman | |||
| Bill Zaget | |||
Directed by | |||
| Eddy Matalon | |||
Writing credits(in alphabetical order) | ||
| John Dunning | story | |
| Eddy Matalon | story | |
| John C.W. Saxton | writer | |
Produced by | |||
| Nicole M. Boisvert | .... | producer | |
| Don Carmody | .... | executive producer | |
| John Dunning | .... | producer | |
| André Link | .... | executive producer | |
| Eddy Matalon | .... | producer | |
| Ivan Reitman | .... | executive producer | |
| John Vidette | .... | executive producer | |
Original Music by | |||
| Didier Vasseur | |||
Cinematography by | |||
| Jean-Jacques Tarbès | |||
Film Editing by | |||
| Debra Karen | |||
Production Design by | |||
| Jocelyn Joly | |||
Costume Design by | |||
| Blanche-Danielle Boileau | |||
Makeup Department | |||
| Suzanne Rioux | .... | makeup artist | |
Production Management | |||
| Stewart Harding | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pedro Gandol | .... | third assistant director | |
| Al Simmons | .... | assistant director | |
Art Department | |||
| Andre Brochu | .... | construction supervisor | |
Sound Department | |||
| Henri Blondeau | .... | sound | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
Special Effects by | |||
| Joe Elsener | .... | special effects | |
Other crew | |||
| Thérèse Bérubé | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Canada section |
The basics seemed right. New York City gets hit with a huge power outage, and in the midst of it four very violent criminals escape from custody, get into a high rise apartment building and terrorize the tenants, all the while being pursued by a lone cop. It sounds like it should be a pretty decent actioner, but from the very beginning it just didn't seem to work very well. It began with a far too long introduction to what was happening, and when the "action" did start it just came in dribs and drabs, but there was nothing sustained to it. Then to an overall dull-ish feel, you have to add a few rather silly elements in the plot. Let's see. There's the woman who gets raped and is obviously traumatized by the experience but ends up within a few minutes as the cop's partner searching the building. Then, the cop is telling everyone he meets (including a couple of unaccompanied kids) to go to the lobby (but what if they meet up with the gang on the way?) but then tells an elderly couple to stay in their half burned and smoke-filled apartment after one of the bad guys turned pyromaniac. Does any of that make any sense? We were never told what happened to the man whose ventilator was turned off (presumably he died while his wife who was tied up watched, but that was never tied up) and then one of the bad guys turns on another because the latter one hits a kid - after everything else (murder, rape, arson) we suddenly get "you don't hit a kid" and two crooks end up killing each other over it? I also wasn't taken with the performances, which seemed pretty dry to me most of the way through. The movie also had a very low-budget feel most of the way through. Some good scenes of looting appeared throughout the movie as a reminder of the ugliness of human nature, because we know that really does happen in such circumstances, and the closing car chase through the underground parking lot was pretty decent. Aside from those points though there's not much to recommend this. 2/10