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Robert 'Wingnut' Weaver,
Matt Johnson, Jack Barlow, and Leroy Smith are three young California surfers in the 1960s. At first reveling in the carefree life of beaches, girls, and waves, they eventually must face the fact that the world is changing, becoming more complex, less answerable by simple solutions. Ultimately the Vietnam war interrupts their idyll, leaving them to wonder if they will survive until "Big Wednesday," the mythical day when the greatest, cleanest, most transcendent wave of all will come. Written by
Jim Beaver <email@example.com>
The lives of some California surfers from the early '60s to the '70s.
Who should have been cast: Jan-Michael Vincent or Jeff Bridges? Well, in retrospect, Bridges might have drawn more acclaim to this picture. But Vincent nails the role, and although not as big of a name, he was the man for the job.
John Milius is known for his conservative, manly films. This does not really mesh with the idea of the surfer, at least until you see this film. Then you understand that the surfer - to Milius - is a libertarian at heart, fighting against the "lifeguard state".
The film features great music, great fights, and a nice cameo from a then-unknown Robert Englund. And heck, this is Gary Busey in his prime.
Interestingly, because the film takes place during the Vietnam War, this acts like something as a counterpoint to "Apocalypse Now", another Milius film. What message are we to get from the two combined?
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