An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters in this war story told... See full summary »
The crown jewel to ten years of Bruce Brown surfing documentaries. Brown follows two young surfers around the world in search of the perfect wave, and ends up finding quite a few in addition to some colorful local characters.
Lord James Blears
Bruce Brown, king of surfing documentaries, returns after nearly thirty years to trace the steps of two young surfers to top surfing spots around the world. Along the way we see many of the... See full summary »
Robert 'Wingnut' Weaver,
Returning from a stint in the Air Force, Carrol Jo Hummer borrows money to buy a truck, hoping to make enough money hauling produce to marry Jerri Kane and set up housekeeping. He discovers... See full summary »
Matt Johnson, Jack Barlow, and Leroy Smith are three young California surfers in the 1960s. At first reveling in the carefree life of beaches, girls, and waves, they eventually must face the fact that the world is changing, becoming more complex, less answerable by simple solutions. Ultimately the Vietnam war interrupts their idyll, leaving them to wonder if they will survive until "Big Wednesday," the mythical day when the greatest, cleanest, most transcendent wave of all will come. Written by
Jim Beaver <firstname.lastname@example.org>
The lives of some California surfers from the early '60s to the '70s.
Who should have been cast: Jan-Michael Vincent or Jeff Bridges? Well, in retrospect, Bridges might have drawn more acclaim to this picture. But Vincent nails the role, and although not as big of a name, he was the man for the job.
John Milius is known for his conservative, manly films. This does not really mesh with the idea of the surfer, at least until you see this film. Then you understand that the surfer - to Milius - is a libertarian at heart, fighting against the "lifeguard state".
The film features great music, great fights, and a nice cameo from a then-unknown Robert Englund. And heck, this is Gary Busey in his prime.
Interestingly, because the film takes place during the Vietnam War, this acts like something as a counterpoint to "Apocalypse Now", another Milius film. What message are we to get from the two combined?
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