An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters in this war story told... See full summary »
Biography of the famed motorcycle daredevil, much of which was filmed in his home town of Butte, Montana. The film depicts Knievel reflecting on major events in his life just before a big ... See full summary »
Matt Johnson, Jack Barlow, and Leroy Smith are three young California surfers in the 1960s. At first reveling in the carefree life of beaches, girls, and waves, they eventually must face the fact that the world is changing, becoming more complex, less answerable by simple solutions. Ultimately the Vietnam war interrupts their idyll, leaving them to wonder if they will survive until "Big Wednesday," the mythical day when the greatest, cleanest, most transcendent wave of all will come. Written by
Jim Beaver <firstname.lastname@example.org>
What is it about Big Wednesday that inspires so much affection? I won't repeat the many tributes that have been made here, and yes, I was a surfer, and yes, this is in my top five of all time movies, and yes, I watch it about once every eighteen months.
But something others don't seem to mention much is the perfect score that Basil Poledouris wrote for the movie, sound which echoes and complements the action throughout, and reminds me strongly of artists and music of the time like Jack Nitzches "Lonely Surfer", and "Beyond the Break". Not, for heaven's sake, the Beach Boys or Jan and Dean.
But isn't that a big part of good movies? When music, image and story all combine? (Discuss)
The other four of my five are "Andrei Rublev", "If..." "The Piano" "Journey to the Center of the Earth"
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