| Photos (See all 20 | slideshow) |
Directed by | |||
| Michael Winner | |||
Writing credits(in alphabetical order) | ||
| Raymond Chandler | novel | |
| Michael Winner | writer | |
Produced by | |||
| Jerry Bick | .... | producer | |
| Lew Grade | .... | executive producer | |
| Elliott Kastner | .... | producer | |
| Bernard Williams | .... | associate producer | |
| Bernard Williams | .... | line producer (as Bernie Williams) | |
| Michael Winner | .... | producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Robert Paynter | |||
Casting by | |||
| Maude Spector | |||
Production Design by | |||
| Harry Pottle | |||
Art Direction by | |||
| John Graysmark | |||
Costume Design by | |||
| Ron Beck | |||
Makeup Department | |||
| Stephanie Kaye | .... | hair stylist | |
| Richard Mills | .... | makeup artist | |
Production Management | |||
| Clifton Brandon | .... | production manager | |
| David Middlemas | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Dryhurst | .... | assistant director | |
Art Department | |||
| Terry Wells | .... | stand-by property master (uncredited) | |
| Barry Wilkinson | .... | property master (uncredited) | |
Sound Department | |||
| Russ Hill | .... | sound editor | |
| Mike Le Mare | .... | sound editor | |
| Brian Marshall | .... | sound recordist | |
| John Poyner | .... | sound editor | |
| Hugh Strain | .... | sound re-recordist | |
| Steve Hancock | .... | dubbing projectionist (uncredited) | |
Camera and Electrical Department | |||
| Eddie Collins | .... | camera focus | |
| Keith Hamshere | .... | still photographer | |
| Ronnie Taylor | .... | camera operator | |
Editorial Department | |||
| Frederick Wilson | .... | supervising editor (uncredited) | |
Music Department | |||
| Dan Wallin | .... | scoring mixer (uncredited) | |
Other crew | |||
| Pamela Carlton | .... | continuity | |
| Denis Holt | .... | production executive | |
| Roy Beck | .... | lead stand-in (uncredited) | |
| Matthew Binns | .... | production runner (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Chandler's novel is pushed ahead by about 40 years. His Philip Marlowe is aged about 30 years. The location is changed by the combined breadth of the United States and the Atlantic Ocean. It should come as no surprise that this doesn't work at all. The scandal from which Marlowe shields the old man was so much more significant in the period in which the book was set. (Who, for example, really would be heart-broken or even especially shocked to learn in 1978 that his daughter had been photographed in the nude? Granted, that the secrets get darker, but the point is that so much is diluted.) Mitchum is a very, very fine actor, and when he was, say, 30 to 40 years old he would have been a good choice to play Marlowe; but an important aspect of Marlowe is exactly that he is so weary of spirit while still a relatively young man; we expect the old to feel old. And...a film noir in the English country-side? I don't think so!