Grizzled American private detective in England investigates a complicated case of blackmail turned murder involving a rich but honest elderly general, his two loose socialite daughters, a pornographer and a gangster.
Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge -- of murder. The ... See full summary »
The members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend ... See full summary »
A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
Philip Marlowe is asked by the elderly (and near death) General Sternwood to investigate an attempt at blackmail on one of his daughters. He soon finds that the attempt is halfhearted at best and seems to be more connected with the disappearance of the other daughter's husband, Rusty Regan. Rusty's wife, seems unconcerned with his disappearance, further complicating the mystery. Only General Sternwood seems concerned as mobsters and hired killers continue to appear in the path of the investigation. Written by
John Vogel <email@example.com>
Marlowe retrieved a 6-shot revolved from his car. When he attracted the attention of Lash Canino, he fired 2 shots into the window. But when he emerged from the burning car's smoke, he fired 6 more. Too many. See more »
[of Mrs. Regan]
She'd make a jazzy weekend, but she'd be a bit wearing for a steady diet.
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A dream project with a dream cast and the result is a nightmare. Well, definitely not a pleasant dream. While Michael Winner was busy updating "The Big Sleep" why didn't he add a disco score to reflect the cultural environment of 1978? It would have made just as much sense as plopping a too well-tailored and inappropriately affluent Philip Marlowe down in modern day London. Chandler's novels were very much about the city of angels as much as they were about Marlowe and his code of honor. Winner either didn't know that or didn't care. What he gives us is a standard yet below par mystery film that has little connection with the character Robert Mitchum so memorably played three years earlier in "Farewell, My Lovely." Unlike Robert Altman's "The Long Goodbye," wherein Marlowe was portrayed as an anachronism in contemporary society, Winner's updates reflect nothing but his ignorance of and/or boredom with the material.
But Richard Amsel's poster is great!
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