Set in England, rather than California, the story follows Raymond Chandler's book fairly closely otherwise. Philip Marlowe is asked by the elderly (and near death) General Sternwood to ... See full summary »
This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of ... See full summary »
A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
When a trio of ex-convicts led by Mattie Appleyard is released from prison, they hope to open a general store using money Mattie has saved during his 40-year sentence. This attempt is met ... See full summary »
Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
Advertising golden boy Andrew Quint is fed up with his fabulously successful life. In very dramatic fashion, he quits his job to return to writing for a small literary magazine. He wants to... See full summary »
Oliver Reed and Michael Crawford play two brothers who are always trying to find some way to succeed with cleverness rather than simple drudgery. Crawford is constantly living in his ... See full summary »
Set in England, rather than California, the story follows Raymond Chandler's book fairly closely otherwise. Philip Marlowe is asked by the elderly (and near death) General Sternwood to investigate an attempt at blackmail on one of his daughters. He soon finds that the attempt is half hearted at best and seems to be more connected with the disappearance of the other daughter's husband, Rusty Regan. Rusty's wife, seems unconcerned with his disappearance, further complicating the mystery. Only General Sternwood seems concerned as mobsters and hired killers continue to appear in the path of the investigation. Written by
John Vogel <email@example.com>
When Marlowe brings Camilla home from Geiger's house, the shot from the car to the Sternwood's door shows Marlowe's car door open. The reverse shot from the house out to the car shows his car door shut. See more »
As a literary adaptation, it is superior to the Bogart version
You may regard the 1946 version as a classic because of the Bogart-Bacall pairing. As a literary adaptation, this version, however, is much better.
First of all, the plot stays true to the novel, whereas the older version had a plot ruined by the restrictions of the Hayes code, so that it contains numerous loose ends and unexplained developments.
Secondly, Robert Mitchum impersonates Marlowe much better that Humphrey Bogart. Bogart essentially recycles his role of Sam Spade in "The Maltese Falcon". Yet, Spade and Marlowe are very different characters. While Spade is a cynic who just barely remembers the remnants of morality (and Bogart is brilliant in that role), Marlowe is way beyond that point. He walks around people in a distanced, almost detached way. Only when he spots a glimpse of humanity in his fellow men, he is willing to engage himself (as with General Sternwood in "The Big Sleep"). Mitchum plays this character with great understatement, as it should be done, while Bogart makes Marlowe just another hard-boiled detective, which could be replaced by any other one.
Finally, both Sarah Miles and Candy Clark (while not being necessarily great actresses) bring over the lunacy of the Sternwood daughters beautifully. While the scenes between Bacall and Bogart a great, they are out of place in this plot, in which there is no place left for romance. It might have been appropriate for the characters of Marlowe and Linda Loring in "The Long Goodbye", but hardly in a movie adaption of a novel, in which Marlowe remarks "both Sternwood women were giving him hell".
So, while this movie transfers the plot to another time and another place, it is a much better adaption of the novel than the version often regarded as a classic.
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