It is 1957. J.C. Cullen is a young man from a small town, with a talent for winning at craps, who leaves for the big city to work as a professional gambler. While there, he breaks the bank ... See full summary »
Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
The patriarch of a family-owned corporation hires a young race car driver to help him design a fuel efficient car in secrecy. They face resistance from the president of the company (the patriarch's grandson), who wishes to eliminate the motor car division because of bad blood between himself and his grandfather. During flashbacks, a parallel set of problems is revealed in the family's past, problems that persist into the present, and the race car driver gets deeper into the web of deception and corporate intrigue. Written by
Ed Sutton <firstname.lastname@example.org>
This film is listed among The 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. Interestingly, even though it was a critical bomb, it met the approval of Harold Robbins, and although it was not a blockbuster, it was a moderate financial success. See more »
Laurence Olivier is the multi-millionaire head of a family, who's rich due to the family business, making cars. Larry wants to make a new car whose engine would be environmentally safe. He needs Tommy Lee Jones' (a race car driver) assistance in creating the engine. And, that begins the present day plot. There are flashbacks that show just how and why things are the way they are today. The presence of Katharine Ross and Kathleen Beller make this feel like Dynasty. And, Robert Duvall is Larry's grandson who'll stop at nothing to stop the development of "The Betsy," which is what Larry named the engine. The movie is nothing like "The Oscar" in that it's not flashy or campy; and, it doesn't have any it's-so-bad-it's good value to it. Instead, you get the impression they tried to take themselves seriously and in doing so, only emphasized the fact these are not nice people and it gives the movie a kind of seedy, mean quality to it. Its love scenes add to its trashy feel to it and not entirely in a good way. The music is so understated, mellow, and refined, it sounds like some "Godfather" copy. All in all, once you've seen the ending, you may want to see it again, knowing what you know. But, it's not much to really write home about.
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