The story of how the Twelve Colonies of Mankind are destroyed after 1,000 years of war with the evil Cylon Empire. Through deceit, the Cylons are able to destroy the Colonies' entire fleet, except for the Battlestar Galactica, captained by Commander Adama. Adama gathers up the few remaining humans left on all the twelve worlds and embarks on a journey to find the mythical planet Earth, the supposed thirteenth colony, lost millennia ago when humans first left the motherworld Kobol. With food and fuel running out, the fleet heads for a mineral planet, Carillon, hoping to get what they need. The Ovions, who populate the planet, are being controlled by the Cylons, who set a trap for the Galactica. Under a clever ruse, Adama convinces the Cylons that his pilots are on the surface at a banquet, while the real pilots are at full combat readiness. The fleet gets their food and fuel, and escapes, destroying Carillon and a Cylon Baseship hiding behind the planet. Written by
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As part of the settlement with George Lucas, they were not allowed to show laser trails when they use their blasters. All you see is the weapon lighting and then whatever damage was caused. The only time you see a laser or light trail is when they're in space, the Colonial Vipers and Cylon Raiders. See more »
Just after Apollo and Zac are attacked by Cylon Raiders, Apollo asks Zac how many fighters he can make out. Zac looks at his scanner and says, "Four." The scanner shows five even though there are actually only four fighters behind them. See more »
[Apollo, Starbuck and Boomer are destroying a minefield]
It's working, Commander. They're clearing a path 100 maxims wide.
Now, *that* is precision flying.
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Give the people who made "Battlestar Galactica" credit, it took a lot to make what they did. The concept was good, a war between humans and "cyborgs" (although they seem more like simple robots) to survive, as the humans flee in a collected fleet trying to find the lost colonies of humanity, namely Earth.
That would have been a novel idea for a theatrical movie, and for a TV show it was outer limits. The special effects were (by 1978 standards) top notch, the set design was good, and they even tried to create a different system of measures, since I think even in Star Trek they refer to things by minutes, hours, and years.
What let the movie (and later series) down was the same limits that affected most of seventies television. Schlocky dialogue, storylines sticking on personal and relationship problems, and somebody had the bright idea to put in a kid and a robot dog to go with him. If the series had been made today, or had simply been let free to explore ideas rather than stick to the "conventions" expected of series television, it might have been great. Instead, it's hardly remembered today.
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