The story of how the Twelve Colonies of Mankind are destroyed after 1,000 years of war with the evil Cylon Empire. Through deceit, the Cylons are able to destroy the Colonies' entire fleet, except for the Battlestar Galactica, captained by Commander Adama. Adama gathers up the few remaining humans left on all the twelve worlds and embarks on a journey to find the mythical planet Earth, the supposed thirteenth colony, lost millennia ago when humans first left the motherworld Kobol. With food and fuel running out, the fleet heads for a mineral planet, Carillon, hoping to get what they need. The Ovions, who populate the planet, are being controlled by the Cylons, who set a trap for the Galactica. Under a clever ruse, Adama convinces the Cylons that his pilots are on the surface at a banquet, while the real pilots are at full combat readiness. The fleet gets their food and fuel, and escapes, destroying Carillon and a Cylon Baseship hiding behind the planet. Written by
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The super-reality of SENSURROUND takes you into an intergalactic war...Experience the sensation of laser beams, space explosions and battlestar attacks...all in Academy Award winning SENSURROUND. See more »
The numbers in the Ovian elevator are Mayan - a combination of dots and bars, with the rows of dots representing 1-4 and a bar representing 5. See more »
The characters in the Galactica universe are all supposed to say "yahrens" instead of "years". However, when Cassiopeia tells Starbuck about the Geminese Sunstorm, she says it "happens only once every seven years", not once every seven yahrens. The President of the Colonies makes a similar error when saying that this is the "first peace mankind has known in a thousand years". See more »
Give the people who made "Battlestar Galactica" credit, it took a lot to make what they did. The concept was good, a war between humans and "cyborgs" (although they seem more like simple robots) to survive, as the humans flee in a collected fleet trying to find the lost colonies of humanity, namely Earth.
That would have been a novel idea for a theatrical movie, and for a TV show it was outer limits. The special effects were (by 1978 standards) top notch, the set design was good, and they even tried to create a different system of measures, since I think even in Star Trek they refer to things by minutes, hours, and years.
What let the movie (and later series) down was the same limits that affected most of seventies television. Schlocky dialogue, storylines sticking on personal and relationship problems, and somebody had the bright idea to put in a kid and a robot dog to go with him. If the series had been made today, or had simply been let free to explore ideas rather than stick to the "conventions" expected of series television, it might have been great. Instead, it's hardly remembered today.
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