Phillipe Charboneau is the illegitimate son of an English duke. When he travels from France to England to claim his inheritance, he incurs the wrath of his father's family and is forced to ... See full summary »
A South American quasi-revolutionary/guerilla/terrorist and a misled, admiring girl compatriot manage to kidnap the U.S. President during a diplomatic visit to Toronto. With a nondescript ... See full summary »
A paranoid, leisure-suit-wearing conman/gigolo named Matt Stone seduces lonely women, bilks them of their savings via an investment scam, then kills them. When he begins seeing an ... See full summary »
True story recounting the crash of Eastern Airlines flight 401, which crashed in the Everglades while on approach to Miami in December 1972. Accurate in many respects, the movie goes ... See full summary »
The story of an Olympic high jumper, played by Brent Carver, who loses his leg and yet doggedly persists in his pursuit of athletic glory. Released a year before Terry Fox's Marathon of ... See full summary »
Originally written as a series of novels by author John Jakes (North and South), this Revolution-era story follows the fortunes of a young Frenchman as he comes to America and crosses paths... See full summary »
A man goes to speak with a gigolo and is promptly beaten for his trouble. Soon afterward, his wife is told that he burned to death in a car wreck and is shown the body...and that's when she... See full summary »
Phillipe Charboneau is the illegitimate son of an English duke. When he travels from France to England to claim his inheritance, he incurs the wrath of his father's family and is forced to flee to America, where he becomes involved in the events leading to the American Revolution. Written by
If you've ever wanted to see Howard Cunningham as founding father, scholar and inventor Benjamin Franklin, if you've ever wanted to hear Jerry the Dentist from the "Bob Newhart Show" lecture on Rousseau in a lousy French accent, if you've ever wanted to watch Patricia Neal die midway through a monologue . . . well, find yourself a DVD of this goofy mini-series based the first installment of John Jakes' pulpy historical epic. It's odd, really, that in the post-bicentennial, pre-Reaganite buzz of jingoism lingering in the late 70's that one of the Big 3 Networks didn't pick up the option on Jakes' potboiler and make it into a much better, glitzier miniseries. Instead, this 8th-grade pageant of B-listers, has-beens and never-weres wound up in syndication, a chilling forbearer of the crud that would appear on the early Fox and WB networks ten or twenty years later.
"The Bastard" is the story of Phillip Kent, born Phillipe Charbonneau, the illegitimate (i.e. bastard) son of an English nobleman and Patricia Neal. Little Phillipe's transformation from French peasant to American patriot would test a talented actor, but "The Bastard" stars Andrew Stevens -- Stella's boy, and the future Mr. Kate Jackson. Stevens doesn't bring much to his role except for a pleasant smile and a Keith Partridge haircut, but at least his blandness is offset by the cheesy sideshow that is the rest of the cast. The buck-toothed kid from those horrible "Witch Mountain" movies plays the Marquis de Lafayette, and that's just the start of it. Beginning with the aforementioned Marquis, Phillip keeps encountering the most famous people of his age in random places -- "hi, Mr. Franklin, what are you doing here in Philadelphia?" -- and the absurdity is exacerbated by the fact that these legendary figures are essayed by "Hollywood Squares" refugees in silly costumes (wait 'til you see Tom Bosley in the Bozo wig he puts on to play Franklin). William Shatner as Paul Revere. Need I say more? The other improbability is that every nubile young woman in the film goes wild for young Phillip when they get within sniffing distance of his hairspray and are willing to risk life, limb and social status just for a quick roll in the hay with this soap opera cast-off. ("I want you, Phillip. If only for tonight.") Not historically accurate, not dramatically compelling, hilarious for all the wrong reasons, "The Bastard" makes for some good, trashy fun you shouldn't miss.
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