| Tony Curtis | ... | Marvin Lazar | |
| Jackie Earle Haley | ... | Kelly Leak | |
| Tomisaburô Wakayama | ... | Coach Shimizu | |
| Antonio Inoki | ... | Himself | |
| Hatsune Ishihara | ... | Arika | |
| George Wyner | ... | the Network Director | |
| Lonny Chapman | ... | Louis the Gambler | |
| Matthew Anton | ... | E.R.W. Tillyard III (as Matthew Douglas Anton) | |
| Erin Blunt | ... | Ahmad Rahim | |
| George Gonzales | ... | Miguel Agilar | |
| Brett Marx | ... | Jimmy Feldman | |
| David Pollock | ... | Rudy Stein | |
| David Stambaugh | ... | Toby Whitewood | |
| Jeffrey Louis Starr | ... | Mike Engleberg | |
| Scoody Thornton | ... | Mustapha Rahim | |
| Abraham Unger | ... | Abe Bernstein | |
| Dick Button | ... | Himself | |
| Regis Philbin | ... | Harry Hahn | |
| Kin'ichi Hagimoto | ... | Game Show Host | |
| Hugh Gillin | ... | Pennywall | |
| Robert Sorrells | ... | Locke | |
| Sonny Barnes | ... | Mean Bones Beaudine (as Clarence Barnes) | |
| Michael Yama | ... | Usher | |
| James Staley | ... | Network Man #4 | |
| Dick McGarvin | ... | Network Man #3 | |
| Tak Kubota | ... | Referee | |
| Jerry Ziesmer | ... | Eddie of Network | |
| Gene LeBell | ... | Mean Bones' Manager | |
| Bin Amatsu | ... | Arika's Father | |
| Dean A. Okinaka | ... | Manager | |
| Victor Toyota | ... | Interpreter | |
| Yangi Kitadani | ... | Fight Announcer | |
| Marjorie Jackson | ... | Waitress | |
| Jerry Maren | ... | Page Boy | |
| Tim P. Sullivan | ... | Network Man #2 | |
| Bob Kino | ... | Moderator | |
| Dennis Freeman | ... | Network Man #5 | |
| Kyôko Fuji | ... | Madam (as Kyoko Fuji) | |
| Ginger Martin | ... | Director's Aide | |
| Daniel Sasaki | ... | Band Leader | |
| Don Watters | ... | Network Man #1 | |
| rest of cast listed alphabetically: | |||
| Julie Hampton | ... | Dancing Woman (uncredited) | |
| Shô Kosugi | ... | Kata Demonstrator (uncredited) | |
| Ari Taub | ... | Left Fielder (uncredited) | |
| Akira Ôizumi | ... | Second Baseman (uncredited) | |
Directed by | |||
| John Berry | |||
Writing credits | ||
| Bill Lancaster | (written by) | |
Produced by | |||
| Terry Carr | .... | associate producer | |
| Bill Lancaster | .... | co-producer | |
| Michael Ritchie | .... | producer | |
| Hisashi Yabe | .... | associate producer: Japan | |
Original Music by | |||
| Paul Chihara | |||
Film Editing by | |||
| Richard A. Harris | |||
| Dennis Virkler | |||
Production Design by | |||
| Walter Scott Herndon | |||
Set Decoration by | |||
| Cheryal Kearney | |||
Makeup Department | |||
| Hisako Hanazawi | .... | hair stylist: Japanese Crew (as Hisako Hanazawa) | |
| Bob Mills | .... | makeup artist (as Robert Mills) | |
Production Management | |||
| Terry Carr | .... | unit production manager | |
| Asatomo Kyokawa | .... | unit manager: Japan | |
| William Ross | .... | unit manager: Japan (as Bill Ross) | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Mike Abe | .... | assistant director: Japan | |
| Alan Brimfeld | .... | second assistant director (as Alan Brimfield) | |
| Jerry Ziesmer | .... | assistant director | |
Art Department | |||
| Hiroshi Kitagawa | .... | art director: Japan | |
| Mike Miner | .... | property master | |
Sound Department | |||
| William M. Andrews | .... | sound effects editor (as Bill Andrews) | |
| Bub Asman | .... | sound effects editor (as Henry Asman) | |
| Gene S. Cantamessa | .... | sound mixer (as Gene Cantamesa) | |
| John Wilkinson | .... | sound re-recording mixer (as John K. Wilkinson) | |
| Raul A. Bruce | .... | boom operator (uncredited) | |
Stunts | |||
| Hector Guerrero | .... | stunt double | |
Costume and Wardrobe Department | |||
| Nancy Martinelli | .... | wardrobe | |
| Thomas Welsh | .... | wardrobe (as Tommy Welsh) | |
Editorial Department | |||
| Carolyn H. Abe | .... | assistant film editor | |
Music Department | |||
| Paul Chihara | .... | music adaptor | |
| Robert Krueger | .... | music editor | |
| Michael Melvoin | .... | music arranger: songs (as Mike Melvoin) | |
Other crew | |||
| Takashi Arakawa | .... | baseball advisor: Japanese Crew | |
| Charlotte Dreiman | .... | location liaison: Japan | |
| Michie Ross | .... | interpreter: Japanese Crew | |
| Shin'ichirô Sawai | .... | dialogue coach: Japanese Crew (as Shinichiro Sawai) | |
| Naofumi Okamoto | .... | production coordinator (uncredited) | |
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| Mr. Baseball | The Bad News Bears in Breaking Training | The Bad News Bears | Major League II | Bad News Bears |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
It had to happen. After the success of "The Bad News Bears" and "Breaking Training" the film execs at Paramount knew they had a goldmine on their hands and couldn't leave well enough alone. They started on the right track by enlisting Bill Lancaster to write the script. He also authored the original. Sadly that is where the similarities end.
"The Bad News Bears Go To Japan" is one of the worst films of the 70's. It's so bad the many of the kids from the first two don't even appear in this one. The ones that do are given little to do save for team leader Kelly Leak who gets to romance a young japanese girl. The love story is laughably bad.
The coach this time around is Tony Curtis playing a con man looking for his next score. Curtis looks as if he is in a trance as he sleepwalks thru the film.
And the worst part? There is very little baseball in a movie about little leaguers!!! We get more scenes of sumo wrestling. The one baseball game we DO get is badly directed and comes so late in the film you may have either fallen asleep or turned it off.
And why send the kids all the way to Japan? A bit far fetched don't you think? Apparently the first film was a smash hit in Japan, playing in one theater for over a year. That says it all. The filmmakers knew that no matter how badly it bombed here (and it did) that they would have a hit in Japan (and it was). Too bad they didn't care that the product they were presenting was no better than a student film on a tiny budget. No. Take that back. A student film on a tiny budget would have to be ten times better than this pathetic "comedy."