Dick Loudon and his wife Joanna decide to leave life in New York City and buy a little inn in Vermont. Dick is a how-to book writer, who eventually becomes a local TV celebrity as host of "... See full summary »
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
Arthur "Big Guy" Carlson tries to run a failing Cincinnati radio station owned by his "tough as nails" mother. His own incompetence is overshadowed by the strange employees that work at the station. From wild Disc Jockeys: Dr. Johnny Fever and Venus Flytrap to the geeky news director, Les Nessman and obnoxious advertising sales manager, Herb Tarlek. With the help of saner employees such as Bailey Quarters; the rather shy journalism major; Jennifer Marlowe, the beautiful receptionist who is the very opposite of a stereotypical "Dumb Blonde" and Andy Travis; the studly program director, Carlson tries gimmick after crazy gimmick to bring money into the station and make it a success. Written by
The full name of the building where WKRP is located is the Osgood R. Flimm Building. The name is mentioned in (WKRP in Cincinnati: Les on a Ledge (1978) because authorities need to know where to go to save Les. See more »
[saying that Bailey shouldn't produce the show]
This isn't the Ohio State School of Journalism, this is the big time.
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The lyrics for the closing credits consist of gibberish words. See more »
Amid the cookie-cutter, assembly-line sitcoms of the late '70s and early '80s, "WKRP in Cincinnati" stood out like a breath of fresh air. It had all the qualities necessary for a classic comedy: the show was character-driven, not dependent on a never-ending stream of glib and not-so-glib one-liners (and, thank God, no "cute" kids); the writing was sharp, clever, and at times absolutely brilliant; the ensemble cast worked together like a well-oiled machine, with each character having its own distinctive--and, unusual for television, three-dimensional--qualities, both good and not so good; and in addition to wringing laughs out of everyday situations, it wasn't afraid to tackle more serious subjects, either, such as parental responsibility, censorship, shady business practices in the industry, drug use and, of course, one of the most barbaric problems to have confronted America in this century: the practice of using live turkeys in promotional campaigns ("As God is my witness, I thought they could fly!").
Many episodes stand out, of course, the main one probably being the above-mentioned turkey extravaganza, but there were others that were equally as memorable: the staff's discomfort at being sponsored by a chain of funeral homes and having to come up with a catchy "slogan" for them; the inspired casting of Bert Parks as Herb Tarlek's charming, but even more obnoxious, father; Johnny Fever's "selling out" by hosting a cheesy TV dance show; Les Nessman's being barred from sports locker rooms because of a false rumor spread around that he was gay; a dark secret from Venus Flytrap's past finally catching up with him; and a host of other brilliant episodes dealing with serious and not-so-serious issues.
This is one of the class acts of sitcomdom, and ranks up there with "Taxi", "Mary Tyler Moore," "Cheers" and "Seinfeld" as among the finest sitcoms ever made. Unfortunately, unlike the aforementioned shows, "WKRP" never really got the respect it so richly deserved. But at least we can keep enjoying it on reruns. Thank God for small favors.
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