Don Henderson resurrected the eccentric police detective George Kitchener Bulman (from the short lived series "The XYY Man") in this British series which saw him reluctantly and grumpily ...
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Comic goings on in this series set in an English holiday camp called Maplins. The title comes from the camp's greeting, which the staff are meant to say with enthusiasm but all too often ... See full summary »
David Callan, top agent/assassin for the S.I.S., was forced to retire because he had lost his nerve. Now, Callan is called back into service to handle the assassination of Schneider, a ... See full summary »
David Callan is the top agent/assassin for the Security Service (British counterintelligence), but he is an embittered man who performs his duties "for Queen and country" under duress. This... See full summary »
Martin is a committee man. He has numerous schemes and committees organised around the neighbourhood. He is so obsessive about every detail of everything he does he is driving his long ... See full summary »
WWII drama follows a group of British, Dutch, and Australian women; from the bombing of Singapore to their years spent in prison camps and eventually to the end of the war where the survivors try to readjust to civilian life.
The series followed the wavering relationship between two ex-lovers, Penny Warrender, a secretary for an advertising firm, and Vincent Pinner, an ex ice cream salesman turned turf ... See full summary »
Having left the police force in disgust, the eccentric and bad-tempered detective George Kitchener Bulman (Don Henderson) set himself up as a private investigator in this third appearance ... See full summary »
Don Henderson resurrected the eccentric police detective George Kitchener Bulman (from the short lived series "The XYY Man") in this British series which saw him reluctantly and grumpily transferred to a station in the North of England. Like the series which followed it ("Bulman") the show drifted between the standard hard edged, grittily realistic and violent policy which was prevalent in British police shows in the late 70s, and a peculiarly tongue-in-cheek reluctance to take itself seriously. Written by