| Photos (See all 19 | slideshow) |
| Roy Marsden | ... | Neil Burnside (20 episodes, 1978-1980) | |
| Ray Lonnen | ... | Willie Caine (20 episodes, 1978-1980) | |
| Jerome Willis | ... | Matthew Peele (20 episodes, 1978-1980) | |
| Bob Sherman | ... | Jeff Ross (17 episodes, 1978-1980) | |
| Alan MacNaughton | ... | Sir Geoffrey Wellingham (14 episodes, 1978-1980) | |
| Michael Cashman | ... | Mike Wallace (13 episodes, 1980) | |
| Richard Vernon | ... | 'C' (12 episodes, 1978-1980) | |
| Elizabeth Bennett | ... | Diane Lawler (12 episodes, 1978-1980) |
Series Directed by | |||
| Michael Ferguson | (8 episodes, 1978-1980) | ||
| Peter Cregeen | (7 episodes, 1980) | ||
| David Reynolds | (2 episodes, 1978) | ||
Series Writing credits | ||
| Ian Mackintosh | (20 episodes, 1978-1980) | |
| Gidley Wheeler | (2 episodes, 1980) | |
Series Produced by | |||
| Michael Ferguson | .... | producer (16 episodes, 1978-1980) | |
| David Cunliffe | .... | executive producer (15 episodes, 1978-1980) | |
Series Original Music by | |||
| Roy Budd | (20 episodes, 1978-1980) | ||
Series Film Editing by | |||
| Allen Jewhurst | (9 episodes, 1980) | ||
| Tim Ritson | (3 episodes, 1978) | ||
| Peter Taylor | (3 episodes, 1978) | ||
Series Production Design by | |||
| Roger Andrews | (9 episodes, 1978-1980) | ||
| Jeremy Bear | (5 episodes, 1980) | ||
| Mary Rae | (unknown episodes) | ||
Series Sound Department | |||
| Steve Haynes | .... | film dubbing mixer (9 episodes, 1980) | |
| Terry Cavagin | .... | film dubbing mixer (7 episodes, 1978) | |
| Don Atkinson | .... | film sound recordist (6 episodes, 1978-1980) | |
| Terry Ricketts | .... | film sound recordist (5 episodes, 1978-1980) | |
| Mike Donnelly | .... | film sound recordist (3 episodes, 1978-1980) | |
| Barrie Box | .... | film sound recordist (3 episodes, 1980) | |
| Ron Gunn | .... | film sound recordist (3 episodes, 1980) | |
Series Camera and Electrical Department | |||
| Alan Pyrah | .... | film camera (9 episodes, 1978-1980) | |
| Dick Dodd | .... | film camera (3 episodes, 1980) | |
| Peter Jackson | .... | film camera (3 episodes, 1980) | |
| Frank Pocklington | .... | film camera (3 episodes, 1980) | |
| Charles B. Wilson | .... | film camera (3 episodes, 1980) | |
Series Music Department | |||
| Roy Budd | .... | composer: theme music (6 episodes, 1978-1980) | |
Series Other crew | |||
| Mark Shelley | .... | weapons armorer (unknown episodes) | |
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| The Living Daylights | On Her Majesty's Secret Service | The Ipcress File | The Spy Who Loved Me | Topaz |
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| External reviews | News articles | IMDb TV section |
| IMDb Thriller section | IMDb UK section |
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"The Sandbaggers" is the best spy drama ever made for TV, and is certainly the most realistic. Focusing on a group of special agents of the British SIS, it shows spies as they probably really are: overworked, underpaid, under-appreciated and expendable.
The acting in the series is top notch by all of the cast, particularly Roy Marsden as the workaholic Burnside and Ray Lonnen as the amiable Caine. There's also particularly good work by Alan MacNaughton as the wily Wellingham. The plots rely less on action and more on intrigue, with battles won and lost in "drab dusty corridors in Whitehall", as Burnside puts it. There isn't any real gunplay until the sixth episode, in fact.
The first season of the series, with all episodes written by series creator Ian MacIntosh, is the best. It follows a rough story arc involving the introduction of troubled agent Laura Dickens (well-played by Diane Keen). It leads up to the powerful season finale "Special Relationship", which is a stunner.
The second season isn't as good. Other writers besides MacIntosh are involved and there are some ill-advised plot developments. Also, there are less-than-successful changes in some characterizations. But, still, it remains a superior and thoughtful drama.
I highly recommend this series. It's well-worth tracking down on video or on PBS. Just remember what Burnside says in the first episode: "If you want James Bond, go to a library."