Simon Templar is a modern day Robin Hood of sorts. He steals from rich criminals and keeps the loot for himself (usually in such a way as to put the rich criminals behind bars). He's ... See full summary »
Oscar West is killed when his power boat blows up during a race, where the Saint has seen a shifty character of his acquaintance. Oscar's widow Annabelle sets off for the French Riviera to collect '...
English Lord Brett Sinclair and American Danny Wilde are both wealthy playboys, they are teamed together by Judge Fullton to investigate crimes which the police can't solve. These two men ... See full summary »
The Protectors were Harry Rule, the Contessa di Contini and Paul Buchet, three freelance troubleshooters who ran an international crime fighting agency. Based in London, Harry was the ... See full summary »
Nyree Dawn Porter,
Simon Templar has no real family, no real home and Simon Templar isn't even his real name. Yet Simon Templar , also known as the Saint for his use of creating false identities using the ... See full summary »
Simon Templar is a modern day Robin Hood of sorts. He steals from rich criminals and keeps the loot for himself (usually in such a way as to put the rich criminals behind bars). He's dashing, suave, charming, and he's always one step ahead of the bulldog-like Inspector Claude Eustace Teal. This series chronicles his swashbuckling exploits. Written by
Sorry if this offends some, but I have major problems with this series. Starting with Ian Oglivy as Simon Teplar. Now, his character name may be the same as the character played by Sir Roger Moore in the original series, but he isn't really The Saint. He is vaguely Saint-like, but is far too much a puppet of the organization for which he works.
Instead of suave and cunning, Oglivy's Templar is brash. Rather than a twinkle in his eye, this new "Saint" seems to vacillate between looking slightly embarrassed and looking just bit too smug.
True, I am one of those, "James Bond WAS Sean Connery" and "Simon Templar WAS Roger Moore" types. Perhaps that colors my perspective, but watching some of these episodes in 2008-09 hasn't done anything to change my opinion of the show back in 1978-79 when I first saw it. I have also gone back to watch several of the Roger Moore series recently. They hold up. Rather nicely, too.
The plots are paper thin and the supporting acting is sometimes painful. I would give examples, but they would end up being spoilers.
For completists out there, go for the DVD. For Ian Ogilvy fans, go for it. But, if you have warm, fuzzy memories of the original The Saint shows, don't say that one crabby old fart didn't warn you.
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