The adventures of David Caulder and his crew stationed on Moonbase 3 on the moon's surface. In the 21st century, representatives of many of the world's governments live in bases on the moon... See full summary »
David Vincent, an architect returning home after a hard, hard, day parks his car in an old ghost town in order to rest for a while before continuing on home. Suddenly, in the middle of the ... See full summary »
Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
Rick Hunter is a renegade cop who breaks the rules and takes justice into his own hands. Partnered with the equally stunning and rebellious Sgt. McCall, the tough-minded duo set out to crack down on L.A.'s slimiest criminals.
On March 13th, 1997 one of the largest UFO sightings ever recorded took place across the southwestern United States. The event became known as the 'Phoenix Lights' and was witnessed by ... See full summary »
Harry runs a salvage operation, in which he and his partners reclaim trash and junk and sell it as scrap (or as other things). Harry also has a home-made spaceship which he sometimes uses ... See full summary »
In the style of Jack Webb (Executive Producer), stories were taken from the USAF's "Project Bluebook" files and dramatized. The producer of the program, Col. William T. Coleman, USAF (Ret.) was the former head of "Project Bluebook". Written by
Wayne Coleman <firstname.lastname@example.org>
Ezekiel saw the wheel. This is the wheel he said he saw. These are unidentified flying objects that people say they are seeing now. Are they proof that we are being visited by civilizations from other stars? Or just what are they? The United States Air Force began an investigation of this high strangeness in a search for the truth. What you are about to see is part of that 20-year search.
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Jack Webb's DRAGNET, ADAM 12 and EMERGENCY were such big hits that his Mark VII productions always had a few other series on the networks (mostly NBC) with various success. Project UFO was definately Jack Webb's baby and he was the one who did the talk show circuit to promote it. Besides his narration, the show followed Webb's trademark of stiff, unemotional acting that gave all his shows a semi-documentary look. His earlier shows introduced the day-to-day realities of police work, paramedics and emergency rooms long before Hill Street Blues and E.R. and without the soap opera scripts. Project U.F.O. was Webb's attempt to bring the then current hit film CLOSE ENCOUNTERS OF THE THIRD KIND to television via a straight forward telling of the real people who investigated UFO sightings (known as Project Bluebook, that title was eventually changed to PROJECT UFO because it sounded more interesting). A typical episode would open with a discovery of a burnt out portion of field where a UFO appeared to have landed and took off and the two investigators gathering evidence to support or dispute the premise that a UFO had actually landed. Sometimes the evidence pointed to fraud and sometimes there were no answers and sometimes it was left to the audience to come to their own conclusions. Since there wasn't an attempt to conclude that there actually were aliens the series was a bit dull, there was never any big payoffs. Think of M. Night Shyamalan's SIGNS if it had ended a half hour sooner and that would pretty much sum up Project UFO. Perhaps M. Night Shyamalan was a fan of the series and wanted to do a better version and that's where SIGNS came from.
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