| Bob Hoskins | ... | Arthur Parker (6 episodes, 1978) | |
| Cheryl Campbell | ... | Eileen (6 episodes, 1978) | |
| Gemma Craven | ... | Joan Parker (6 episodes, 1978) | |
| Kenneth Colley | ... | The Accordion Man / ... (5 episodes, 1978) | |
| Jenny Logan | ... | Irene (3 episodes, 1978) | |
| Freddie Jones | ... | Headmaster (2 episodes, 1978) | |
| Dave King | ... | Police Inspector / ... (2 episodes, 1978) | |
| Sam Avent | ... | Pianist (2 episodes, 1978) | |
| Arnold Peters | ... | Barrett (2 episodes, 1978) | |
| Spencer Banks | ... | Maurice (2 episodes, 1978) | |
| Michael Bilton | ... | Dad (2 episodes, 1978) | |
| Philip Jackson | ... | Dave (2 episodes, 1978) | |
| Bill Dean | ... | Alf (2 episodes, 1978) | |
| Bella Emberg | ... | Mrs. Corder (2 episodes, 1978) | |
| Children From the Forest of Dean | (2 episodes, 1978) | ||
| Yolande Palfrey | ... | Blind Girl (2 episodes, 1978) |
Series Directed by | |||
| Piers Haggard | (6 episodes, 1978) | ||
Series Writing credits | ||
| Dennis Potter | (6 episodes, 1978) | |
Series Produced by | |||
| Kenith Trodd | .... | producer (6 episodes, 1978) | |
Series Cinematography by | |||
| Ken Westbury | (6 episodes, 1978) | ||
Series Film Editing by | |||
| Howard Dell | (6 episodes, 1978) | ||
| David Martin | (6 episodes, 1978) | ||
Series Production Design by | |||
| Tim Harvey | (6 episodes, 1978) | ||
| Bruce Macadie | (2 episodes, 1978) | ||
Series Costume Design by | |||
| John Peacock | (6 episodes, 1978) | ||
Series Makeup Department | |||
| Jenny Shircore | .... | make-up (6 episodes, 1978) | |
Series Art Department | |||
| Sid Sutton | .... | graphics designer (6 episodes, 1978) | |
| Bob Cosford | .... | illustrator (3 episodes, 1978) | |
| Tom Taylor | .... | illustrator (3 episodes, 1978) | |
Series Sound Department | |||
| Mervyn Broadway | .... | film sound (6 episodes, 1978) | |
| Alan Dykes | .... | dubbing mixer (6 episodes, 1978) | |
| Brian Hiles | .... | sound: studio (6 episodes, 1978) | |
Series Camera and Electrical Department | |||
| Dave Mutton | .... | senior studio camera (6 episodes, 1978) | |
| Dave Sydenham | .... | studio lighting (6 episodes, 1978) | |
Series Editorial Department | |||
| Shirley Coward | .... | vision mixer (6 episodes, 1978) | |
Series Other crew | |||
| Alan Charlesworth | .... | production team (6 episodes, 1978) | |
| Chris Cherry | .... | production unit manager (6 episodes, 1978) | |
| Bill Craske | .... | production assistant / studio production assistant (6 episodes, 1978) | |
| Tudor Davies | .... | choreographer (6 episodes, 1978) | |
| Irene East | .... | production team (6 episodes, 1978) | |
| Simon Hinkly | .... | film production assistant / production assistant (6 episodes, 1978) | |
| Diarmuid Lawrence | .... | film production assistant / production assistant (6 episodes, 1978) | |
| Neil Zeiger | .... | production team (6 episodes, 1978) | |
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| Lost Horizon | Ae Fond Kiss... | Pennies from Heaven | Hachi: A Dog's Tale | Doubt |
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To evaluate Pennies from Heaven solely in terms of its use of 1930s dance tunes is at best blinkered and at worst deeply stupid. What Potter did with those tunes was to point up how his characters sought refuge in what now would be called 'pop culture' to escape the grim realities of the time - and he was writing about the 1930s: the Depression, Fascism, Stalinism, etc. And Potter was genuinely fond of the 30s tunes that were used: I don't think the series mocks the songs at all, but their up-beat denial of misery is what makes their use so powerful as they counterpoint the characters' despair.
Whatever else Dennis Potter might have done (I am not an unqualified fan) this series is just about the greatest drama series ever seen on British TV; except, that is, for Potter's last word on his 'lip-sync' method, The Singing Detective, from 1987.