Respected liberal Senator Joe Tynan is asked to to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as ... See full summary »
A precise, real-time (exactly 85 minutes - the length of the actual event) reenactment of the infamous Wannsee Conference, a meeting called in January, 1942 to map out the implementation of... See full summary »
Friedrich G. Beckhaus
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
During WWII, the death camp at Treblinka had an escape, causing the Commandant at a similar camp in Sobibor to vow that his camp would never experience the same thing. But those who were ... See full summary »
Gerry Miller, a professional hockey player, gives in to internal and outside pressures and adopts a more aggressive style on the ice. During one particularly violent game a player on an ... See full summary »
"Holocaust" follows each member of the Jewish Family Weiss throughout Hitler's reign in Germany. One by one, the family members suffer the horrible fate of extermination under Anti-Semetic Nazi Law until only one son remains at the end of World War II. A sub-plot follows the story of Eric Dorf, a young German lawyer with a good heart who is changed into a mass murderer by membership in the SS. Written by
Anthony Hughes <firstname.lastname@example.org>
When this was aired on German television, police station switchboards were flooded with confessional calls during the "Krystallnacht" scene, where people were smashing the windows of synagogues and Jewish-owned businesses. People who had participated in the actual event were calling to confess their participation, but the Statute of Limitation had taken effect, and no actions could be taken, despite their confessions. However, the furor arising from this problem led to the West German Government altering the relevant laws to extend such time limits under such circumstances to enable the prosecution of such perpetrators. See more »
[to SS leaders]
Gentlemen, I have never been so proud of German soldiers. Your consciences can be clear. I will be responsible before God and Hitler for all your acts.
See more »
If you were only to see one movie, one television series in your life about the Holocaust (and you should see more), this would be it.
It is the most wide-ranging, most thorough examination of what happened to central and eastern Europe's Jews between 1935 and 1945. The series focuses not on one camp: but on several (Auschwitz, Theresienstadt, Buchenwald, Sobribor - and hear much of Maidenek, Dachau, and others). We see the creation and changes in the ghetto in Warsaw (and hear of the ghettos in Vilnius and elsewhere). We see the evolution in the methods of killing Jews
and why. We see what happened to those deemed defectives at yet another
With two exceptions, I found the acting (by a truly stunning cast - from Nigel Hawthorne to Ian Holm, from James Woods to T.P. McKenna, from Meryl Streep to David Warner, from Rosemary Harris to Sam Wanamaker, from Fritz Weaver to Tovah Feldshuh, Robert Stephens to Deborah Norton, Michael Moriarty) superb - truly moving and powerful. The two exceptions were the daughter Anna and the son Rudy played by Joseph Bottoms. This may not be entirely their fault - their parts are so underwritten - conventional.
The fantastic aspect of this series is its scope - you really do have a grounding in the Holocaust that would serve you well reading any history, seeing any movies set in this time.
The downside is that as fine as the acting is, the series is split among the stories of six to eight people over the course of a decade - which inevitably limits how moved the audience is by the story of each. Thus, in contrast to say, Schindler's List or The Pianist, we are not living and breathing with one person and what happens to him - we do not know these characters THAT well.
I would also criticize the series as creating such one-sidedly virtuous characters in the victims. We are interested in a character in drama only to the extent that the person seems real and we can therefore wholly identify with this real breathing person. Although we do have some feeling of how James Woods' character is different from say, Joseph Bottoms', it isn't sufficient to move the drama to the greatest heights. Actors don't come better than those in this series - so I think it's really due to the nature of the series - the need to get it all in and move around all the different experiences. This better serves our education, but somewhat reduces the sense of having suffered with each individual.
This was a great and enormously expensive production. It is very worthwhile renting - and should be shown to everyone above say, the age of 12 (I'd say that a younger age is too susceptible to the horror). NBC is to be commended highly for having developed it. It's tremendous.
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