Ingrid is marrying Lennie Godber but Fletch feels frustrated because his ex-wife and her partner are paying for the wedding when he feels that he should be. He is thus tempted when a man called Piper...
Fletch is finally released - after getting his coat stuck in the prison gates - and on the train home meets Mr. MacKay,who tells him he is retiring. Two men get on the train - Oaksey,known to Fletch,...
Fletch goes to see his probation officer,who is disappointed that he has not got a job. Fletch explains that he was going to work in a cardboard box factory but his wife Isobel ran off with the owner...
The adventures of two "likely lads" ostensibly set in the North East of England (but filmed in Willesden Junction, London). Terry and Bob have been friends since childhood. Bob is the ... See full summary »
Classic 1960s British comedy series about a middle aged man and his elderly father who run an unsuccessful 'rag and bone' business (collecting and selling junk). Harold (the son) wants to ... See full summary »
Harry H. Corbett,
George and Mildred Roper are forced to leave their home in South Kensington (as the landlords in Man About the House (1973)) when they receive a compulsory purchase order from the council. ... See full summary »
Terry and Bob from The Likely Lads (1964) continue their life after Terry arrives home from serving in the Army to discover that Bob is about to marry his girlfriend Thelma. Can Thelma lead... See full summary »
BBC Television comedy detailing the fortunes of Reginald Iolanthe Perrin. Disillusioned after a long career at Sunshine Desserts, Perrin goes through a mid-life crisis and fakes his own ... See full summary »
This prison comedy is based on the popular British television series of the same name. Long time Slade prison inmate Fletcher is ordered by Grouty to arrange a football match between the ... See full summary »
'Going Straight' is often thought of as a failed sequel to 'Porridge.' However, it would help to think of the show as an epilogue to 'Porridge.' If both shows were called 'Fletcher' then I very much doubt that any distinction would be made between the two.
By the time the show was written Ian La Frenais, Dick Clement and Ronnie Barker had the mind of Fletcher down to a tee. This in itself made the series superb - with some of the finest writing and acting to adorn our T.V. screens. But there is a more important point to 'Going Straight.' Although 'Porridge' tried to relate the daily grind of prison life it was, by it's very nature, a comedy programme. Fletcher's spirit, intelligence, humour and status inside 'Slade' almost made you want to commit a felony and go and join him. However, once outside he became a 'nobody.' The writers cleverly showed that outside a prison Fletcher was on life's bottom rung - on course for a life of menial work, low status and even lower pay. Fletcher finds himself very frustrated at the lack of opportunities for ex-cons, especially at his age, and this comes through in the series quite strongly. Personally, I admired him in 'Porridge' and pitied him in 'Going Straight.' In 'Porridge' it was often referred to that the system can't be beaten. 'Going Straight' showed that even after having served time for crimes the system still controls your destiny. A lesson for us all.
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