Drummond and Mr. Ramsey learn the truth about Mr. Horton, the seemingly friendly bicycle shop owner with a very sinister side. It soon becomes a race against time to get details out of Arnold after ...
Tony Micelli, a retired baseball player, becomes the housekeeper of Angela Bower, an advertising executive in New York. Together they raise their kids, Samantha Micelli and Jonathon Bower, with help from Mona Robinson, Angela's man-crazy mother.
The post-retirement season is suddenly disrupted for football player George Papadapolis and his wife Katherine when Webster, the orphaned son of a former teammate, moves in. Laughter, and life lessons, in every episode.
Punky Brewster is a show about a girl named Penelope "Punky" Brewster. She is abandoned with her dog, Brandon, in a supermarket by her mother. She doesn't want to stay in an orphanage, and ... See full summary »
Soleil Moon Frye,
Phillip Drummond, a widowed Manhattan millionaire and president of the mega-firm Trans Allied Inc., adopts two African American orphans from Harlem, 8-year-old Arnold and 12-year-old Willis. Drummond had made a promise to their dying mother, his housekeeper, that he would care for the boys after she passes away; their father had died years earlier. The boys, whom Drummond always introduced as his two sons, went from rags to riches literally overnight. At first, Willis was rather skeptical of their newfound wealth, but eventually, both he and Arnold felt right at home in their newfound surroundings. Also part of the family were Drummond's beautiful daughter, 13-year-old Kimberly; and his no-nonsense housekeeper, Edna Garrett. As the years passed, Mrs. Garrett left to become housemother at the Eastland School for Girls; she was replaced by the cantankerous Adelaide Brubaker and still later, charming Pearl Gallagher. Arnold's friends, Dudley and Robbie (and later, Charlie); Willis' ... Written by
Brian Rathjen <email@example.com>
Conrad Bain had been in purgatory for many years with Norman Lear's Tandem Productions; i.e. he was paying his dues so that he could get a starring role. Diff'rent Strokes was sort of Conrad Bain's payoff for playing the villain and the also-ran on Maude for 6 years. In Maude he definitely wasn't the star. And he played a very bigoted, unpleasant character, Dr. Arthur Harmon, who was basically a rich, white collar version of Archie Bunker, and who was there for Maude to spar with and tell off. Now, in Diff'rent Strokes, Bain got to play the good guy; Phillip Drummond is the hero of the show; an updated, hip, liberal version of Daddy Warbucks to Coleman's Little Orphan Annie/Oliver Twist type character. He is strong, generous, good hearted and successful, and the center of the show-along with Coleman. See more »
Life is like an ice cream cone. Just when you start licking, it drips all over you.
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Diff'rent Strokes was and still is regarded by many as not just one of the most successful sitcoms in TV history but one of the very few, which succeeded due to the multi-racial cast of Conrad Bain as Philip/Mr Drummond, Dana Plato as Kimberley, Todd Bridges as Willis, and the lovable scamp, Gary Coleman as Arnold Jackson. The performances given by the main leads in Diff'rent Strokes was great, particularly Conrad's as the strict but fair, Mr Drummond. Mrs Edna Garrett played by Charlotte Rae was funny, charming and witty and a great addition to the cast. But the star of the show was Coleman as Arnold and his famous catchphrase 'whatcha talking'about Willis?'.
Even though it was a sitcom, the show wasn't afraid of tackling and addressing social and controversial issues such as child molestation, racism, bulimia, class division and sex for example. The writing was funny but also sharp, witty and clever. Arnold has arguably the best and funnier lines out of all the characters, although Philip isn't that far off either.
He was one of the reasons why Diff'rent Strokes was such a huge success story, as Coleman's comic timing was almost spot-on. The cutesy factor that accompanies his cheeky and somewhat mischievous persona as Arnold was a huge incentive on his part.
There have been many sitcoms past and present, which centred around youngsters as the main protagonists, but whilst most of them have tried they have failed, mainly because one of the reasons for this is that those shows do not possess a central character as humorous, as versatile as Arnold and of whom has a personality of which viewers can fall in love with straight away.
Diff'rent Strokes didn't have just one but three child characters in Kimberly, Willis and Arnold. The concept was original and addressed the issue of child adoption in a straight-to-the-point manner but at the same time combine laughs with clean cut jokes, good gags and great humour. It's such a shame though that the notoriety of the show, in regards to the child performers was always brought up; likewise Coleman's own brushes with the law and surprising fall from grace, Todd's battle with drugs, and the rather unfortunate and well documented demise of Dana and her subsequent death during the late 90s, slightly tarnished the mainstream success, as well as history of Diff'rent Strokes. Next year in 2008, it will be the 30th anniversary of Diff'rent Strokes, since its debut in 1978.
All in all though, this was a great little sitcom, starring a little guy with a big heart played by Coleman which was destined to be a big hit, which it was and one that captured millions of audiences hearts, worldwide.
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