Gary and Valene Ewing, relatives of the Ewing clan of Dallas, arrive in Knots Landing to make a new home for themselves. However, scheming Abby Fairgate-Cunningham later breaks up their marriage when she seduces Gary.
Set to the soundtrack of the '60s, a Philadelphia family moves toward the cultural upheaval in the years ahead. The Pryors' teen daughter Meg tries to shed her "good girl" image by hanging ... See full summary »
Years after J.R. Ewing lost Ewing Oil and apparently committed suicide, we learn that he is alive and well. He returns to Dallas, and plots to bring his family back together, and regain control of Ewing Oil from arch-enemy Cliff Barnes.
It has been two years since Bobby and Sue Ellen Ewing took over control of Ewing Oil. Although J.R. is successfully managing a large oil conglomerate, he wants to once again own his ... See full summary »
Portrays the life of the former First Lady of the United States, Jacqueline Kennedy in the aftermath of the assassination of her husband, President John Fitzgerald Kennedy, as she becomes Jackie O. in life after Camelot.
Popular evening 'soap-opera' style television drama. The show was set in Dallas and chronicled the exploits of wealthy Texas oil millionaires. Many of the plots revolved around shady business dealings and dysfunctional family dynamics. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Dallas was aired for the first times in the 80s I was a child and I couldn't appreciate it yet. Since last September, when a satellite channel proposed again this Soap Opera, I had a small crush of it. I became fond of J.R.'s intrigues, his rivalry with Bobby and Cliff Barnes, the beautiful Pamela and nice Miss Ellie.
Dallas' strength is the plot. Not completely concerned about love and betrayals (typical but annoying), the Ewing Oil battles can move even the male audience transforming the Soap in a TV-series. Jim Davis' death (the mythical Jock, R.I.P.) put a lot of fuel in the "engines" with the legacy questions and relations getting worse. J.R.'s Machiavellian plans filled the script of amusing and caustic irony, always enjoyable.
The recitative level wasn't so great; all the actors, actually, had their height in this series, but the general quality is decent. Except for Ken Kercheval and Steve Kanaly, which proved to be good actors giving a great shape to their characters, challenging J.R. at any cost. Special mention to Charlene Tilton, which is really beautiful and should have had greater relief in the story.
Ending too late, in 1991 (2-3 years too many), the story was slowly plagued by script tricks and poorly credible deaths or departures, compromising its heritage made of several Emmys and 1 Golden Globe won.
6,5 / 10
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