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When Marine Nicolas Brody is hailed as a hero after he returns home from eight years of captivity in Iraq, intelligence officer Carrie Mathison is the only one who suspects that he may have been "turned".
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Popular evening 'soap-opera' style television drama. The show was set in Dallas and chronicled the exploits of wealthy Texas oil millionaires. Many of the plots revolved around shady business dealings and dysfunctional family dynamics. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
"Dallas" created some HUGE TV moments ... J.R. Ewing's shooting, the "Dream Season" and Bobby returning in the shower ...
Beyond that, though, I especially loved the writing of "Dallas," particularly in the working of J.R.'s various schemes, both at the Ewing Oil offices and offsite. He was just-plain the master manipulator, and while I don't encourage anyone to aspire to this kind of mastery(!), it sure was FUN to watch him in action! Yikes! The way he executed those deals seemed to set the show apart from rivals like "Dynasty."
I enjoyed the way the show evolved in the later seasons. In the last two seasons, in particular, there seemed to be this sophisticated edge that avoided insulting the viewer (as sometimes the campiness of "Dynasty" could). While "Dynasty" was busy being flashy (and hey, I liked that, too -- I was a teen when it originally aired, after all), "Dallas" was playing the game just a bit cooler, calmer, a touch more complicated. Plus, Jeannie aside, Larry Hagman was BORN to do that role. Meow!
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