Two brothers, Ben and Clint, join a cattle drive from Texas to Montana. While heading for Texas they save Nella from the Indians, and she decides to ride with them. Ben and Nella start to ... See full summary »
Ian Struan Dunross is chairman of Struan & Co, the oldest and largest of the British-East Asia trading companies. To the Chinese, that also makes him "Tai-Pan" ("supreme leader") of the "... See full summary »
This is the story of the evolution of the town Centennial, Colorado. It follows the paths of dozens of people who come to the area for many reasons: money, freedom, or crime. It also shows the bigoted treatment of the Native Indians by the advancing US colonists. It is topped off with a murder mystery that takes 100 years to solve. Written by
Tony Berkoff <email@example.com>
Robert Conrad worked with a dialect coach in order to talk with an authentic French Canadian accent. See more »
During the "Only the Rocks Live Forever" episode - Lame Beaver is sitting astride an Appaloosa horse. Lame Beaver belonged to the Arapaho tribe of the plains and would not have had access to trade or steal this breed of horse. The Appaloosa's were a breed that were developed by the Nez Perce tribe of the Pacific Northwest - a thousand miles away. See more »
I strongly agree that Centennial is arguably the best mini-series ever made. The production is top drawer, with wonderful locations, costumes, musical score, cast, and direction. It is at its best from the beginning up through the cattle drive segment, and weakens somewhat thereafter, especially at the end. This is a small criticism, however. The one particular thing that has always stuck in my mind over the years is the incredible, standout performance by Robert Conrad as Pasquinel. For most of his career, his best work was in lighter vehicles such as "The Wild, Wild West," and never distinguished by any particular depth of characterization. In the role of Pasquinel, however, Conrad delivered a performance of which any actor could be justly proud. He gives the character all of the realism and believability one could possibly want, and conveys the qualities, both good and bad, which make Pasquinel such a compelling figure. If only for that performance alone, Centennial is well worth watching.
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