Blake leads the apprehensive crew of the Liberator out into intergalactic space to find and destroy Star One and cripple the Federation. What none of them realize is that Star One is already showing ...
The Liberator heads to the artificial planet Terminal when Avon receives instructions from Blake. Avon goes to the surface and finds Blake is connected to a life support capsule. But Avon learns it ...
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In the third century of the second calendar, a corrupt galactic federation, with Earth at its center, drugs its billions of citizens into placid submission. A rebel named Roj Blake, who once tried to organize a resistance group to overthrow this regime, was caught and divested of his memories. But Blake's revolutionary spirit is revived when he witnesses a mass slaughter by police that is covered up by the federation officials. He escapes exile on board a prison spaceship and, together with a lovable band of outlaws, takes over a vacant alien space cruiser of awesome drive capability. Naming their new ship as "The Liberator", Blake and his group travel the Milky Way to seek any opportunity to undermine the evil federation. Written by
Kevin McCorry <firstname.lastname@example.org>
Where are we?
In a transit cell.
I don't understand.
You're on your way to the penal colony on Cygnus Alpha. Or you will be when the prison ship's refueled. Try to look on the bright side. It must have something. None of the guests have ever left early. In fact, none of them have ever left at all.
Why are you going there?
They didn't give me a choice. I steal things. Compulsive, I'm afraid. I've had my head adjusted by some of the best in the business. But it just won't stay adjusted.
[...] See more »
SPOILER! The final episode ends with a lone Avon, surrounded by Federation soldiers, holding a blaster-type rifle and smiling a devious smile. The program then cuts to the end titles VISUALLY, but several "shots" are heard over the credits before the theme music starts. See more »
For those of us weaned on Doctor Who, shows like Blake's 7 are instantly appealing. But for today's audiences, try this trick:
Listen closely to the dialogue and notice how the acting--unlike the SFX--is quite good. Then imagine that George Lucas, Jerry Bruckheimer and any actor you admire collaborated on a faithful remake, line for line, with top-level effects. Can you see it? (May require more than one viewing.)
Good. Prior to Battlestar Galactica on TV and Star Wars on the big screen, this is about all we had in terms of production values. (We were lucky if the boom mics were not showing at the top of the screen.) We had to make do with fascinating story ideas and characters we could inhabit each week. If the monsters were made of rubber, the spaceships made of cardboard, well, we lived with it.
Note to Spielberg, Bruckheimer, Lucas, et al: Keep the script stet and consider giving these back to the world.
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