Blake leads the apprehensive crew of the Liberator out into intergalactic space to find and destroy Star One and cripple the Federation. What none of them realize is that Star One is already showing ...
The Liberator heads to the artificial planet Terminal when Avon receives instructions from Blake. Avon goes to the surface and finds Blake is connected to a life support capsule. But Avon learns it ...
Sci-fi thriller about the takeover of earth by alien tripods. The conquerers start controlling human minds, but not until after they reach the age of sixteen. Two boys seek to end the ... See full summary »
In the year 1980 the Earth is threatened by an alien race who kidnap and kill humans and use them for body parts. A highly secret military organization is set up in the hope of defending ... See full summary »
Complex, involved science-fiction series about a special force of interdimensional operatives whose task is to protect the universe from evil forces trying to gain a foothold by disrupting ... See full summary »
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
The adventures of David Caulder and his crew stationed on Moonbase 3 on the moon's surface. In the 21st century, representatives of many of the world's governments live in bases on the moon... See full summary »
When a genetically engineered virus kills 99.99 percent of the world's population, the survivors must rebuild humanity in the face of overwhelming odds. "Survivors" is a study of man vs. ... See full summary »
Jeff Randall and Marty Hopkirk are private detectives who specialize in divorce cases. Their long-running partnership seems to come to an abrupt end when Marty is killed by a hit-and-run, ... See full summary »
David Callan is the top agent/assassin for the Security Service (British counterintelligence), but he is an embittered man who performs his duties "for Queen and country" under duress. This... See full summary »
In the third century of the second calendar, a corrupt galactic federation, with Earth at its center, drugs its billions of citizens into placid submission. A rebel named Roj Blake, who once tried to organize a resistance group to overthrow this regime, was caught and divested of his memories. But Blake's revolutionary spirit is revived when he witnesses a mass slaughter by police that is covered up by the federation officials. He escapes exile on board a prison spaceship and, together with a lovable band of outlaws, takes over a vacant alien space cruiser of awesome drive capability. Naming their new ship as "The Liberator", Blake and his group travel the Milky Way to seek any opportunity to undermine the evil federation. Written by
Kevin McCorry <email@example.com>
Series 3 had been wrongly been assumed by fans, viewers, the cast and crew to be the final season, ending with the destruction of The Liberator and the crew stranded on Terminal. However, during the closing credits of Blakes 7: Terminal (1980), a voiceover announced that the series would return the following year, which came as a real surprise to the cast and the crew. See more »
[Blake is under treatment after witnessing a massacre]
Reality is a dangerous concept. Each one of us interprets it in a slightly different way. Every sense impression is filtered by the brain and altered, sometimes just a little, sometimes completely, to fit our individual model of what the world is about. If that model should be challenged...
[chanting over and over to himself]
I am *not* insane. I am *not* insane...
No. You must put that thought completely out of your mind. You've had a shock.
[...] See more »
SPOILER! The final episode ends with a lone Avon, surrounded by Federation soldiers, holding a blaster-type rifle and smiling a devious smile. The program then cuts to the end titles VISUALLY, but several "shots" are heard over the credits before the theme music starts. See more »
For those of us weaned on Doctor Who, shows like Blake's 7 are instantly appealing. But for today's audiences, try this trick:
Listen closely to the dialogue and notice how the acting--unlike the SFX--is quite good. Then imagine that George Lucas, Jerry Bruckheimer and any actor you admire collaborated on a faithful remake, line for line, with top-level effects. Can you see it? (May require more than one viewing.)
Good. Prior to Battlestar Galactica on TV and Star Wars on the big screen, this is about all we had in terms of production values. (We were lucky if the boom mics were not showing at the top of the screen.) We had to make do with fascinating story ideas and characters we could inhabit each week. If the monsters were made of rubber, the spaceships made of cardboard, well, we lived with it.
Note to Spielberg, Bruckheimer, Lucas, et al: Keep the script stet and consider giving these back to the world.
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