Sci-fi thriller about the takeover of earth by alien tripods. The conquerers start controlling human minds, but not until after they reach the age of sixteen. Two boys seek to end the ... See full summary »
The adventures of David Caulder and his crew stationed on Moonbase 3 on the moon's surface. In the 21st century, representatives of many of the world's governments live in bases on the moon... See full summary »
The space solar yacht Tiger Moth under the command of no-nonsense Captain Lisa Deranne is on a cruise taking some rich misfits on a voyage through space. Unfortunately on their travels they... See full summary »
Carole Ann Ford
When an old enemy, the Cylons, resurfaces and obliterate the 12 colonies, the crew of the aged Galactica protects a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony of Earth.
Edward James Olmos,
Edited from the first four episodes of the cult 1978 BBC TV series set in the far future where freedom fighter Roj Blake, framed by the all-powerful but corrupt Galactic Federation which ... See full summary »
In the third century of the second calendar, a corrupt galactic federation, with Earth at its center, drugs its billions of citizens into placid submission. A rebel named Roj Blake, who once tried to organize a resistance group to overthrow this regime, was caught and divested of his memories. But Blake's revolutionary spirit is revived when he witnesses a mass slaughter by police that is covered up by the federation officials. He escapes exile on board a prison spaceship and, together with a lovable band of outlaws, takes over a vacant alien space cruiser of awesome drive capability. Naming their new ship as "The Liberator", Blake and his group travel the Milky Way to seek any opportunity to undermine the evil federation. Written by
Kevin McCorry <firstname.lastname@example.org>
SPOILER! The final episode ends with a lone Avon, surrounded by Federation soldiers, holding a blaster-type rifle and smiling a devious smile. The program then cuts to the end titles VISUALLY, but several "shots" are heard over the credits before the theme music starts. See more »
I discovered "Blakes 7" (though it ought to be "Blake's 6," methinks) when I was five years old - and I dismissed it. I thought it looked boring and corny, and when I got hooked on "Doctor Who" shortly thereafter, I forgot all about it.
Well, like a wayward son, I have returned to "Blakes 7" all these years later. I've just finished the season one DVDs, and I enjoyed myself immensely. In some respects it's a very familiar show that borrows terminology and ideas from much older genre entertainment, like "Star Trek." But it's quite revolutionary in terms of structure - the arc plot is ahead of its time - and characterization. "Blakes 7" also features a surprisingly cynical world view; the Federation in this series isn't a league of whitewashed good guys, it's a corrupt organization that controls its subjects through military force and "1984"-like brainwashing.
The best character of the season is Avon, who is played in a wonderful sneering fashion by Paul Darrow. Blake is my second favorite; he's an idealist, but he's tough and he's not preachy (thank goodness). The other crew members, truth be told, are a little bland. I'm not sure why people seem to like the cowardly thief character Villa so much, since his role mainly consists of whining and cracking flat jokes. Jenna the smuggler is a pretty foxy lady, but she doesn't do much but get tied up and possessed - both staple pastimes for women in these semi-sexist old shows.
Certain plot elements are recycled in a tiresome fashion; in several episodes, half of Blake's crew is stranded on a planet while the other half contends with a problem in space. And of course, there's always a moment when the ground team is in mortal peril and needs to be "beamed up," but nobody's at the controls to do it. I complain too much, though
there are several genuinely surprising plot twists in the first
season. And, even when the stories are a little clichéd, a great cast of British character actors is on hand to pick up the slack. Cool guest stars like Brian Blessed and Julian Glover reliably provide rock-solid support for the regulars.
The show is still easy to dismiss due to its low budget. But does it really matter that Blake's laser gun looks like a hair-curler? Not a bit. Flawed production values do very little to detract from "Blakes 7," which in the final analysis is clearly one of the more thoughtful and exciting sci-fi series I've had the pleasure to watch. The very first episode, which concerns Blake being framed for child molestation, is particularly gripping. It's highly recommended stuff.
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