Quotes
Adolph Zitz:
Gentlemen, I am not a child and I do not wish to be treated as one. Is that understood?
Group of yes men:
Yes, Sir!
Adolph Zitz:
Good. Now, here's the question: If you went up to any bum in the street and asked him which is the biggest movie studio in Hollywood, what would he say? Joe?
Yes Man #1:
Well, Rainbow Studios, home of the stars.
Adolph Zitz:
All right now. All right, I don't want any of that baloney. Wes?
Yes Man #2:
I would say Wainbow. Wainbow Studios. It's the wargest and the best.
Adolph Zitz:
Save it. Save that yes-man shit. You think I need this kind of ...
[...]
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Soundtracks
"You Oughta Be in Pictures"
(uncredited)
Music by
Dana Suesse
Played when Rudy walks on the set for his audition
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This movie studies a handful of themes, among them: romantic problems, issues of the individual versus conformity, and beauty versus mediocrity. It is set during the Hollywood silent movie days, when Rudolph Valentino was the rage. Wilder plays the lead role, the husband of a Valentino fan, who has to muster up the sexy man in himself in order to save the day. The sets are lush, Carol Kane is gorgeous, Wilder gives one of his most heartbreaking performances, and Harry Nilsson devotes his song "Ain't it kind of wonderful" to the soundtrack. Very ambitious, especially considering that Wilder wrote, directed and produced it.
Yes, it's true some of the gags are dated or overdone, but there are other things to enjoy. It's in the same league as Woody Allen's early slapstick comedies, like "Sleeper" and "Play it again, Sam", as well as the Mel Brooks' oeuvre.