| Kim Atwood | ... | Herself | |
| Marty Atwood | ... | Himself | |
| Mike Atwood | ... | Himself | |
| Mimi Atwood | ... | Herself | |
| Noel Atwood | ... | Herself | |
| Stephanie Atwood | ... | Herself | |
| Anh DeBolt | ... | Himself | |
| Bob DeBolt | ... | Himself | |
| Dat DeBolt | ... | Himself | |
| Dorothy DeBolt | ... | Herself | |
| J.R. DeBolt | ... | Himself | |
| Karen DeBolt | ... | Herself | |
| Ly' DeBolt | ... | Herself | |
| Mary DeBolt | ... | Herself | |
| Melanie DeBolt | ... | Herself | |
| Phong DeBolt | ... | Himself | |
| Sunee DeBolt | ... | Herself | |
| Tich DeBolt | ... | Himself | |
| Trang DeBolt | ... | Himself | |
| Twe' DeBolt | ... | Herself | |
| Wendy DeBolt | ... | Herself | |
| Sydney Walker | ... | Narrator (voice) | |
| Henry Winkler | ... | Himself - Host, television version | |
| Jacque Gonzales | ... | Herself (uncredited) | |
| David MacMillan | ... | Himself (uncredited) |
Directed by | |||
| John Korty | |||
Writing credits(in alphabetical order) | ||
| Janet Peoples | uncredited | |
Produced by | |||
| John Korty | .... | producer | |
| Warren Lockhart | .... | producer | |
| Dan McCann | .... | producer | |
| Mark L. Rosen | .... | producer (television version) | |
| Shintarô Tsuji | .... | executive producer | |
| Henry Winkler | .... | executive producer (television version) | |
Original Music by | |||
| Ed Bogas | |||
Cinematography by | |||
| Jon Else | |||
Film Editing by | |||
| David Webb Peoples | (as David W. Peoples) | ||
Sound Department | |||
| Luther Greene | .... | sound re-recording mixer | |
| David MacMillan | .... | sound | |
Camera and Electrical Department | |||
| Patrick Crowley | .... | assistant camera | |
Editorial Department | |||
| Mary Bernstein | .... | assistant editor | |
| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
I was still in high school when I saw "Who Are the DeBolts" on TV, and I'll never get the images out of my head. The child that sticks most in my mind was a lovely Black girl of maybe 8 or 10, with stumps for arms and legs. She could walk and play the marimba with her prosthetics, but she really shone when those prosthetics came off. I can still see her jumping on the bed with her siblings, laughing and so vibrant and alive.
There was nothing sappy or sentimental about "Who Are the DeBolts." Just a family that was a little larger and more diverse than what we're used to. And I think if only for the lesson in valuing diversity, it would be wonderful if this film made a huge comeback.