Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and ... See full summary »
Lesley Ann Warren
A down and out private detective (Berenger) is asked by a beautiful woman (Archer) to follow her lover (Young) because she thinks he may be planning to kill her. Due to her poor description... See full summary »
Henry Petosa and Freddy Ace are twins who were separated being babies, and they do not know each other. Henry was adopted by a honest man, while Freddy becomes a gangster. Henry is very shy... See full summary »
Lara Flynn Boyle,
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local cafés and pestering gallery... See full summary »
Doc Jenkins is a singer/songwriter who tries to leave his singer/songwriter roots to be a music "mogul", and gets tangled up in a bad publishing deal. He enlists a team of cronies, ... See full summary »
This mosaic comedy-drama tells the story of a La Ronde-like circle of romantic adventures and failed affairs centered around a songwriter named Carroll Barber and his father Carl Barber. There is a trail of Carroll's past relationship spread throughout the city of Los Angeles. Barber is an aloof womanizer who cannot commit to any relationship, and is used to illustrate the loneliness of Los Angeles big-city life. Among the women in his life are Ann Goode, a lonely real estate agent, Karen Hood, a Valley housewife addicted to taxi rides, Linda Murray, a woman prone to vacuuming in the nude and Nona Bruce, the snapshot-taking mistress of a wealthy man. Written by
Despite a fabulous cast led by Alan Rudolph regular Keith Carradine, this vacant, flat movie with virtually no plot is easy to classify as a lesser "Nashville" set on the West Coast. I mean, what are the major happenings, Denver Pyle makes Harvey Keitel a partner? Uh . . . that was about it, there's a party.
So, why the heck do I like this so much? I've seen it maybe 30 times, even though it's unavailable on any media, at the moment, at least, and every time I watch it all the way through to the last shot of Carridine looking sideways at the camera. I saw it when it first came out, and it stayed in my mind for decades until it started to show up on the movie channels. I can't explain it, the music is nice (particularly "One Night Stands" and "Welcome to L.A."), but the conversation isn't particularly clever (compare "Choose Me" for example). I can't really defend the film, how could I? There's no message, no plot, no outstanding performances to champion . . . I don't know, I just enjoy watching it. Beats me.
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