The lives and romantic entanglements of a group of young adults who have achieved "overnight" success in Los Angeles.

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Reviews
Nominated for 1 BAFTA Film Award. See more awards »
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Cast

Complete credited cast:
...
Carroll Barber
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Ann Goode
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Karen Hood
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Ken Hood
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Nona Bruce
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Susan Moore
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Linda Murray
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Carl Barber
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Jack Goode
Richard Baskin ...
Eric Wood
Allan F. Nicholls ...
David Howard
...
Faye
Mike Kaplan ...
Russell Linden (as Mike E. Kaplan)
...
Jeannette Ross
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Storyline

This mosaic comedy-drama tells the story of a La Ronde-like circle of romantic adventures and failed affairs centered around a songwriter named Carroll Barber and his father Carl Barber. There is a trail of Carroll's past relationship spread throughout the city of Los Angeles. Barber is an aloof womanizer who cannot commit to any relationship, and is used to illustrate the loneliness of Los Angeles big-city life. Among the women in his life are Ann Goode, a lonely real estate agent, Karen Hood, a Valley housewife addicted to taxi rides, Linda Murray, a woman prone to vacuuming in the nude and Nona Bruce, the snapshot-taking mistress of a wealthy man. Written by thustlebird

Plot Summary | Add Synopsis

Taglines:

City of the One Night Stands.

Genres:

Drama | Music | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

28 April 1978 (West Germany)  »

Also Known As:

Benvindo a L.A.  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

John Wayne was originally going to play the part of Carl Barber. However, due to budget overruns and delays, Wayne had to be replaced by Denver Pyle. See more »

Crazy Credits

In the opening credits, the actors are credited with an accompanying still picture and their character name. See more »

Connections

Featured in Z Channel: A Magnificent Obsession (2004) See more »

Soundtracks

At The Door
Written and performed by Richard Baskin
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User Reviews

Easy to criticize, but . . . I love it.
16 March 2004 | by (Seattle, WA) – See all my reviews

Despite a fabulous cast led by Alan Rudolph regular Keith Carradine, this vacant, flat movie with virtually no plot is easy to classify as a lesser "Nashville" set on the West Coast. I mean, what are the major happenings, Denver Pyle makes Harvey Keitel a partner? Uh . . . that was about it, there's a party.

So, why the heck do I like this so much? I've seen it maybe 30 times, even though it's unavailable on any media, at the moment, at least, and every time I watch it all the way through to the last shot of Carridine looking sideways at the camera. I saw it when it first came out, and it stayed in my mind for decades until it started to show up on the movie channels. I can't explain it, the music is nice (particularly "One Night Stands" and "Welcome to L.A."), but the conversation isn't particularly clever (compare "Choose Me" for example). I can't really defend the film, how could I? There's no message, no plot, no outstanding performances to champion . . . I don't know, I just enjoy watching it. Beats me.


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