LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just ... See full summary »
Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.
Just released from prison, a young woman arrives in town to "start a new life", but soon begins stalking a married construction worker for no apparent reason, turning his life inside out and eventually terrorizing him and his wife.
Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is... See full summary »
This mosaic comedy-drama tells the story of a La Ronde-like circle of romantic adventures and failed affairs centered around a songwriter named Carroll Barber and his father Carl Barber. There is a trail of Carroll's past relationship spread throughout the city of Los Angeles. Barber is an aloof womanizer who cannot commit to any relationship, and is used to illustrate the loneliness of Los Angeles big-city life. Among the women in his life are Ann Goode, a lonely real estate agent, Karen Hood, a Valley housewife addicted to taxi rides, Linda Murray, a woman prone to vacuuming in the nude and Nona Bruce, the snapshot-taking mistress of a wealthy man. Written by
Despite a fabulous cast led by Alan Rudolph regular Keith Carradine, this vacant, flat movie with virtually no plot is easy to classify as a lesser "Nashville" set on the West Coast. I mean, what are the major happenings, Denver Pyle makes Harvey Keitel a partner? Uh . . . that was about it, there's a party.
So, why the heck do I like this so much? I've seen it maybe 30 times, even though it's unavailable on any media, at the moment, at least, and every time I watch it all the way through to the last shot of Carridine looking sideways at the camera. I saw it when it first came out, and it stayed in my mind for decades until it started to show up on the movie channels. I can't explain it, the music is nice (particularly "One Night Stands" and "Welcome to L.A."), but the conversation isn't particularly clever (compare "Choose Me" for example). I can't really defend the film, how could I? There's no message, no plot, no outstanding performances to champion . . . I don't know, I just enjoy watching it. Beats me.
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